Showing posts with label CAPTURED. Show all posts
Showing posts with label CAPTURED. Show all posts

Wednesday, October 8, 2014

CAPTURED: Maren Hassinger

Maren Hassinger photographed Septeumber 25, 2014 in New York City. BlackArtistNews Photo. All rights reserved.
BlackArtistNews | October 8, 2014

Crossing paths with Maren Hassinger in New York recently was one of those really fantastic, unexpected pleasures that once processed, you realize “Damn! How frickin' cool was that?” Even if you’ve never had the chance to chat with her, maybe you were fortunate enough to encounter her work in groundbreaking exhibitions Now Dig This!: Art & Black Los Angeles 1960 – 1980 (2011) and Radical Presence: Black Performance in Contemporary Art (2012).  Those exhibits, along with a 2014 solo show at the Reginald Ingraham Gallery in Los Angeles, have rightfully placed Hassinger’s interdisciplinary practice on a map that (finally) includes previously uncharted territory. Aiding that expansion are Andrea Barnwell Brownlee Ph.D and Anne Collins Smith at the Spelman College Museum of Fine Art who are organizing Maren Hassinger...Dreaming, a retrospective exhibit scheduled to open in early 2015. I personally hope, the show awakens art lovers and enthusiasts to an accomplished artist who has been slept on for too long.

Read more about Maren Hassinger...Dreaming here.




Monday, September 22, 2014

CAPTURED: Expo Chicago 2014

Retreat curated by Theaster Gates. BlackArtistNews photo. All rights reserved.

BlackArtistNews | September 22, 2014

Navy Pier is one of Chicago's top tourist attractions. Whether strolling inside its massive but densely filled mall or outside along the 1.5 mile long pier, it's not unusual to simultaneously hear conversations in French, Spanish, German, Mandarin and/or Southern American dialects within close proximity of each other.

The same global atmosphere was displayed at EXPO CHICAGO held September 18 – 21 inside the pier's exhibition hall space. Dealers from around the world represented works by artists as diverse in practice as they are in nationality and ethnicity.

Spotted among EXPO CHICAGO attendees were artists Dawoud Bey, Robert Burnier, Tavares Strachen, Hank Willis Thomas, Mickalene Thomas and Rhonda Wheatley; art collector Eric McKissack; and curators Felicia Mings, Tempestt Hazel and Frank Sirmans.

People spotting aside: it was ALL about the ART and there was plenty enough to gawk (and gag) at. 

Here's a (very) small sample of what was presented:


Campbell's Streetlight by Trenton Doyle Hancock at Hales Gallery (London) booth.


WIND, curated by Yinka Shonibare, MBE at James Cohan Gallery (NYC) booth.


Untitled (The Seamstress) by Geraldine Hamilton McCullough at Richard Norton Gallery (Chicago) booth.


The Jazz Singers by Archibald Motley at The Conservation Center (Chicago) booth.  


44.2258° N, 76.5967° W #6, #7, #8 by Paul Anthony Smith at Carrie Secrist Gallery (Chicago) booth.


Kin XLIII (C.P.T.) by Whitfield Lovell at D.C. Moore Gallery (NYC) booth.


Untitled (Ella on silk) by Carrie Mae Weems at Carolina Nitsch (NYC) booth.


Works by Kehinde Wiley, Dawoud Bey and Chris Ofili included in SHAQ LOVES PEOPLE curated by Shaquille O'Neal at The FLAG Art Foundation booth.


Bartica Born by Frank Bowling at Hales Gallery (London) booth.


Weight of Time by Betty Saar at Michael Rosenfeld Gallery (NYC) booth.


Shinique Smith at James Cohan Gallery (NYC) booth.





Friday, June 20, 2014

CAPTURED: Fanta Celah

Fanta Celeh photographed June 13, 2014 at the Arts Incubator, Chicago, IL. BlackArtistNews photo. All rights reserved.
What Would You Do?
BlackArtistNews | June 20, 2014

What would you do if you’re at an artist’s talk and a lovely woman (who happens to be a visual artist) is sitting in the audience, her face a bare canvas painted by the glow of the evening sun? You either appreciate the beauty of the moment and commit it to memory or – in my case – photograph and share it online. Good decision, huh?


Click here to view Fanta Celeh’s art and jewelry creations. 



Tuesday, May 6, 2014

CAPTURED: Paul Anthony Smith and Carrie Secrist

Paul Anthony Smith and Carrie Secrist photographed May 3,2014 at the Carrie Secrist Gallery, Chicago, IL. BlackArtistNews photo.  All rights reserved.
BlackArtistNews | May 6, 2014

On May 3, 2014, BlackArtistNews attended the reception for Paul Anthony Smith: Mangos and Crabs at the Carrie Secrist Gallery and snapped this photo of the Brooklyn-based emerging artist with the gallery owner. The works presented are a study in contrasts: velvety smooth monochromatic paintings are sided with distressed inkjet prints; their surfaces methodically scraped to obscure the individual figures that lie within the photographic plane. All of the pieces were conceived in 2013 during Smith’s visit to his hometown of Port Antonio, Jamaica and show his ability to deftly abstract the human form.





Saturday, March 15, 2014

POSE: Iké Udé / L'Uomo Vogue / February 2014


Iké Udé: The Satrorial Anarchist

Text  | Francesco Spampinato
Photography | Bjorn Iooss

Excerpt: 
Born in Nigeria but a New Yorker today, for the past five years the photographer and trendsetter Iké Udé has been working on a series of self-portraits called Sartorial Anarchy, which were recently shown at the Leila Heller Gallery of New York. In them, he wears an assortment of clothes and costumes and poses against surreal backgrounds. "I use the clothes to explore cultural and temporal differences and try to blend them", he says. "The idea of ‘Sartorial Anarchy’ comes from a desire to break rules and limits, but with elegance and intelligence.

Last spring a few of his works were included in the exhibit titled Artist/Rebel/Dandy: Men of Fashion at the museum of the Rhode Island School of Design in Providence, where the curators explored the recent return of the dandy as someone who “kicks the limits of taste”. "I’d call today’s dandyism the sartorial expression of a stoic disposition", remarked Iké. "Ironically, however, different stoic dandies weren’t interested in sartorial issues, such as Mandela, Gandhi, Jesus Christ, and Martin Luther King."
What’s most striking about his photos is the formal quality of the clothes and accessories that are worthy of a museum. To find them, the artist has a vast network of dealers in vintage articles and reproductions. "I’m willing to sacrifice everything to buy a piece that interests me". Among the most valuable items in his collection are a Greek fustanella from 1868, the reproduction of a wig from 1279 B.C. worn by the pharaoh Ramses II, and embroidered Yoruba tunics from Nigeria. When he arrived in New York in 1980, Iké started experimenting with different costumes and extreme outfits in clubs like Area.



To read complete story and view all images, pick up a copy of the February 2014 issue of L’UomoVogue on newsstands now or read online here



Thursday, January 16, 2014

ON VIEW: Jean-Michel Basquiat, Reclining Nude

Photography by Paige Powell
January 16 – February 22, 2014

76 Grand Street
New York, NY

Suzanne Geiss Company is pleased to present Jean-Michel Basquiat, Reclining Nude, an exhibition of rare candid photographs of Jean-Michel Basquiat taken by Paige Powell. This is the first presentation of photographs from Powell’s comprehensive archive, a significant chronicle of 1980’s art and culture in America. Her work offers uncommon glimpses into the lives of artists and friends who participated in the cultural transformations of the era.

On view is a series of black and white 35mm nude portraits of Jean-Michel Basquiat made in 1983 in Powell’s then Upper West Side apartment. Like many nights during Powell and Basquiat’s two year relationship, the images show the painter relaxed on a futon, drawing while watching cartoons. Earlier that year, Powell used the apartment to show work by Basquiat, AOne, and Rammellzee. Several of the paintings are visible on the walls of the living room where Basquiat reclines. The photographs were taken with Powell’s Canon camera, which she carried with her everywhere.

Paige Powell moved to New York City from Portland, Oregon in 1980 with the intent of working for Interview Magazine or Woody Allen. A few weeks after she arrived, she landed both jobs. Interview stuck, and Powell was Advertising Associate (later Associate Publisher) and a contributing photographer and writer. Through her work, she became a close friend and confidant of Andy Warhol, founder of the publication, and a fixture at his Factory.

Powell is a photographer, curator, and animal rights activist. She lives and works between Portland, Oregon; New York; and Los Angeles. She is in the beginning phase of organizing her extensive archive of photographs.











Saturday, July 27, 2013

CAPTURED: Four Wisconsin Artists

Marlon Banks photographed July 26, 2013 at Ayzha Fine Arts Gallery & Boutique, Milwaukee, WI. BlackArtistNews photo. All rights reserved. 

On July 26, 2013 the African American Art Alliance of the Milwaukee Art Museum and Ayzha Fine Arts Gallery & Boutique sponsored a reception for artists featured in the Milwaukee Art Museum’s Wisconsin 30 exhibit.

The show focuses on Wisconsin-based artists and runs parallel with the MAM’s hosting of 30 Americans, a travelling exhibition of works by contemporary black artists from the Rubell Family Collection.

Cynthia Henry, the proprietor of Ayzha Fine Arts Gallery where the event was held, beamed like a proud momma when she introduced the artists. BlackArtistNews was present to hear two of them speak: Marlon Banks and Kevin Boatright.

The genial Mr. Banks, read passages of his writings and then shared the backstory of his painting on display, The Guardian of Sleep, the roots of which lied in a childhood memory involving his grandmother.

The somewhat shy Mr. Boatright appeared a bit hesitant, but openly revealed his affinity for the black cultural aesthetics of the 70’s exemplified in the humor of Richard Pryor, the socially conscious music of Curtis Mayfield, and Blaxploitation films such as “The Mack”.

Artists Brad Anthony Bernard and Sherman Pitts also attended the reception.

Brad Anthony Bernard photographed July 26, 2013 at Ayzha Fine Arts Gallery & Boutique, Milwaukee, WI. BlackArtistNews photo. All rights reserved. 

Kevin Boatright photographed July 26, 2013 at Ayzha Fine Arts Gallery & Boutique, Milwaukee, WI. BlackArtistNews photo. All rights reserved. 

Sherman Pitts photographed July 26, 2013 at Ayzha Fine Arts Gallery & Boutique, Milwaukee, WI. BlackArtistNews photo. All rights reserved. 

Window signage at Ayzha Fine Arts Gallery & Boutique, Milwaukee, WI. BlackArtistNews photo. All rights reserved. 

Wisconsin 30 and 30 Americans are on view at the Milwaukee Art Museum until September 8, 2013.


30 Americans will be on view October 11, 2013 – January 12, 2014 at the Frist Center for the Visual Arts in Nashville, TN.


Monday, July 15, 2013

CAPTURED: James Brewton

Photograph by Dirk Shadd/AP
Artist's Reaction to the George Zimmerman trial verdict

From the Washington Post, July 14, 2013:  

James Brewton, 39, from Brandon, Fla., hoists a portrait of Trayvon Martin along with a group of about 175 people as they gather at Curtis Hixon Waterfront Park after marching to the federal courthouse in Tampa. “I painted it last week,” Brewton said. “I just had a feeling it wasn't going to go right.” Brewton, an artist and toy designer, calls his acrylic on canvas painting “Innocent Eyes, Hard Streets.”





Thursday, June 6, 2013

PREVIEW: Tony Lewis

All photos © 2013 BlackArtistNews. All rights reserved. Tony Lewis artwork used with permission of Shane Campbell Gallery, Chicago.

BlackArtistNews previews new works by emerging artist  

Several works on paper by Tony Lewis will be on view in the Statements sector at Art Basel, June 13-16th.

Statement provided by Shane Campbell Gallery:

Tony Lewis's recent work involves generally spare compositions of graphite letters excised from a self-written text that continues to be manipulated and rewritten on four glued paper panels. The language component, in the case of this project, stems from automatic writing and drawing exercises performed in the studio. Through associative wordplay, the nouns "people" and "color" are loosely organized into a poetic compound sentence. Fragments of that sentence are then transcribed in the form of a five line stanza with all of the letters being articulated in hand-drawn Arial font.  Depending on the drawing, Lewis will isolate particular words, letters, or phrases to shuffle meaning across personal, pop-cultural, political, and aesthetic boundaries. The scale of the drawings and fugitive media amount to expressive, visceral documentation of linguistic erasure and the simultaneously poignant and non-sensical possibilities it permits





  




For more information contact the Shane Campbell Gallery.


Monday, May 20, 2013

CAPTURED: Theaster Gates & Thelma Golden

Art world titans Theaster Gates and Thelma Golden photographed May 18, 2013 at MCA Chicago. BlackArtistNews photo. All rights reserved.

BlackArtistNews | May 20, 2013

Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem was among several art world movers and shakers who came out in support of Theaster Gates and the opening of his exhibit 13th Ballad on view May 18 – October 16, 2013 at The Museum of Contemporary Art Chicago.  

In addition to Golden, Naomi Beckwith, Dawoud Bey, Lamont Hamilton, Richard Hunt, Tony Lewis, Hank Willis Thomas and Hamza Walker also added to the spirit of celebration.  



Monday, May 13, 2013

POST: Melvin King

Artist Melvin King photographed June 16, 2012. BlackArtistNews photo. All rights reserved.

Portrait of An Artist As a Black Man
Text | Frederick Lowe
Published | The NorthStar News & Anaylsis, May 7, 2013

Painter Melvin King's three-story brick house on Chicago’s southeast side is a residential version of the Louvre in Paris without the ceiling frescoes.

Paintings hang from every available space on the walls of King's home. When there is no more wall space, paintings are placed on the floor, where they lean against walls. They also are stacked in boxes. And they are stored under tables and desks or they are stacked on top of them.

A black and white zebra mask looks out from a second-floor window on to the quiet street below. Paintings, including one of a beautiful dark-skinned black woman, greet visitors as they enter the building's foyer. They take up most of the space in the tiny first-floor office they share with a seldom-used computer. 

In the middle of the kitchen is an easel, where King, a soft-spoken man, who is 77, paints at least three hours a day. His imagination is stimulated by V103, a local R & B radio station, and by television, both of which are often on at the same time. Life on the streets also feeds his imagination. His bedroom is off the kitchen.

The building's entire second floor from the front door to the back door is filled with paintings. The paintings hang on walls down the back stairs that lead to the back yard. They are in a cluttered storage room off the back stairs and in the second-floor bathroom. Some of the paintings are framed, others are wrapped in plastic. Still others have cardboard packing protectors on each of the frame's four corners.  

When King ran out of space on the two lower floors, he had a third-floor attic built with two skylights to house an overflow of paintings, shipping boxes and other materials to support his work.

“The first time I walked into Melvin’s house, I thought it was awesome. It was like being in an art museum,” said Willie J. Morris, a fellow painter and a close friend of King’s. “When you walk into Melvin’s place, you know he chose the right career path. You can feel his passion.”

Melvin King stacks paintings against the wall because he has run out of wall space to hang them. 
Photo by Frederick Lowe II via 
thenorthstarnews.com.

The paintings are the result of King's prodigious productivity and undeniable talent that has landed him a who's who list of clients.

His patrons include Oprah Winfrey, Michael Jordan, Scottie Pippen, Tina Turner, Cicely Tyson, former Chicago Mayor Richard Daley, Tom Joyner, the National Football League, DuSable Museum of African American History in Chicago, University of Chicago’s Comer Children’s Hospital, the University of Illinois at Chicago Medical School, the Chicago Cultural Center and the National Civil Rights Museum in Memphis, Tenn.

"I don't know how many paintings I have. More than 1,000 reproductions and originals, I guess," said King, who has been painting 70 years. The floors of paintings cry for a curator to catalog them, King admits.

The phone rings and King begins to talk through his Bluetooth. "Yeah, I am working on two paintings now," he says to the caller.

The paintings will be displayed at the annual Hyde Park Community Art Fair in Chicago's Hyde Park neighborhood. The Hyde Park Community Art Fair, which runs concurrently with the 57th Street Art Fair, will be held June 1-2, Dorri Ellis, the art fair's chairman, tells The NorthStar News & Analysis.

"Melvin was part of a group of artists who sold their work in Bixler Park before we organized the Hyde Park Community Art Fair in 1969 or 1970," said Ellis, a high school classmate of King. "We have one of the most racially mixed art fairs in Chicago."

King said: "I knew most of the artists there [Bixler Park], and they were more open to having black artists than art festivals on the North Side. I have always done well there as far as sales, meeting other artists and making contacts."  

He commands a large exhibit space near the fair's entrance, where he sells prints and original works.


Click here to read complete story and view more images.


Monday, April 8, 2013

CAPTURED: Milo Bosh and Bob Albert

Photograph by Chris Randall via  I Love New Haven Facebook page. © 2013 Chris Randall. All rights reserved.

Photographer Chris Randall of ilovenewhaven.com caught me jumping for joy at the April 5th reception held for Polychromasia, an exhibit of works by the late Ficre Ghebreyesus at ArtSpace in New Haven, CT.

It would be easy to conclude (especially since artist rep and filmmaker Bob Albert stands next to me looking cool as a cucumber) that my exuberance was enhanced by the wine served. But really, truly, sincerely I could not contain my enthusiasm for the vibrant works!

More information regarding the exhibit will be posted here soon. In the meantime check out Chris Randall’s account of the event here.


Photograph by Chris Randall via  I Love New Haven Facebook page. © 2013 Chris Randall. All rights reserved.

Photograph by Chris Randall via  I Love New Haven Facebook page. © 2013 Chris Randall. All rights reserved.


Tuesday, January 22, 2013

CAPTURED: Paul D. Miller

Paul D. Miller aka DJ Spooky photographed January 19, 2013 in New York City. BlackArtistNews photo. All rights reserved.


On a cold afternoon near the corner of 10th Avenue and 23rd Street in New York City, BlackArtistNews spotted cool cat Paul D. Miller, a.k.a., DJ Spooky That Subliminal Kid. He kindly paused to shake my hand but our conversation was brisk, for reasons of time, not weather: I caught him as he was headed to an artist talk as part of his current residency The Met Reframed at the Metropolitan Museum of Art. Miller was recently announced Executive Editor of Origin Magazine and also contributed music and narration for the new App for the Smithsonian Museum’s travelling retrospective Romare Bearden: A Black Odyssey.




Wednesday, January 2, 2013

CAPTURED: Kenyatta A.C. Hinkle and Naima J. Keith

Kenyatta A.C. Hinkle and Naima J. Keith photographed December 15, 2012 at The Studio Museum in Harlem.
BlackArtist News photo. All rights reserved.

Los Angeles-based artist and mother-to-be Kenyatta A.C. Hinkle (left) and The Studio Museum in Harlem Assistant Curator Naima J. Keith were in good spirits following Hinkle’s well-received spoken word presentation on December 15, 2012. Her appearance was part of the Studio’s perFORMance series, two three-day presentations (in December and again in February 2013) created as a platform for new and commissioned performance art in conjunction with their current exhibition Fore which runs until March 2013, the same month Hinkle and her husband musician Kevin Robinson expect their new addition. 

Exhibit description:

Fore is the fourth in a series of emerging artist exhibitions presented by the Studio Museum, following Freestyle (2001), Frequency (2005–06) and Flow (2008). This exhibition traces the development of artistic ideas since Flow, taking into account social, political and cultural conditions in the United States. Whether gathering and assembling everyday objects, referencing urban architecture and economies, or using film and video to mirror the transmission and reception of information through social media, the artists in Fore emphasize that contemporary art is deeply tied to its location, time and historical context. This exhibition investigates questions at the core of the Studio Museum’s mission, exploring art’s relationship to U.S. and global communities.

Organized by Lauren Hayes, Naima J. Keith and Thomas J. Lax, Assistant Curators at the Studio Museum, Fore continues the Studio Museum's mission as the nexus for artists of African descent, locally, nationally and internationally, and for work inspired by black culture. Fore runs from November 11, 2012 - March 10, 2013.

Fore exhibit brochure. Cover: Sienna  Shields, Untitled, 2010-12.


(NY Times art review)




Wednesday, December 19, 2012

CAPTURED: Xenobia Bailey

Xenobia Bailey photographed December 13, 2012 in New York City. BlackArtistNews photo. All rights reserved.

Xenobia Bailey takes a moment to relax inside a Mickalene Thomas installation at Lehmann Maupin’s West 26th Street  gallery in New York.  Ms. Bailey was there in celebration of Thomas’s exhibit How to Organize a Room Around a Striking Piece of Art and appeared in good spirits despite the fact Hurricane Sandy destroyed the storage space containing her artwork and materials. Last year the Wall Street Journal reported that Ms. Bailey was being commissioned by the city of New York to create an installation for the new 7 line subway station at 34th Street between 10th and 11th Avenue. Ms. Bailey told BlackArtistNews that the installation is scheduled to be unveiled in 2014.  




Monday, November 19, 2012

CAPTURED: Tom Burrell and Deborah Riley Draper

Photo © 2012 BlackArtistNews. All rights reserved. 
Advertising executive and author Tom Burrell was among the VIP attendees for a screening of Deborah Riley Draper’s documentary "Versailles '73: American Runway Revolution" held November 13, 2012 at Columbia College Chicago. 

The film chronicles the events surrounding a 1973 benefit fashion show that featured American and European designers. The production was organized in order to raise money for the restoration of the Palace of Versailles in France but -- more importantly -- resulted in the international acceptance of American ready-to-wear clothing. The designers and historians unanimously cite the role of the models (the majority of whom were black) for "putting American fashion on the map."

After the screening, Draper introduced members of the cast and crew: Caraline Robinson, Executive Producer; Tamara Houston, Co-Producer; Mikki Taylor, Beauty and Style expert and Editor-at-Large for ESSENCE magazine; and Charlene Dash, Norma Jean Darden and Pat Cleveland three of the models who worked the runway at Versailles.



View more BlackArtistNews photos of the Chicago screening of "Versailles '73" here.






Versailles '73: American Runway Revolution available on DVD February 5, 2013.


Monday, July 16, 2012

CAPTURED: Dawoud Bey and Raél Salley

© 2012 BlackArtistNews Photo. All Rights Reserved.
BlackArtistNews | July 16, 2012

Photographer Dawoud Bey and Senior Lecturer in Painting and Discourse at the University of Cape Town's Michaelis School of Fine Art Raél Salley take a moment to acknowledge BlackArtistNews on July 8, 2012 at the Renaissance Society at the University of Chicago. Bey gave his former Columbia College colleague a personal tour of his exhibit Picturing People which travels to Miami in September (around which time a catalog should be available.) In addition to having Dawoud Bey: Harlem, U.S.A. on view at the Art Institute of Chicago (May 2 - September 9, 2012) Bey is co-curator of the presidential campaign fundraising exhibit Artists for Obama 2012 (July 12 - 27, 2012) which includes works by Richard Hunt, Roy DeCarava, Tony Fitzpatrick, and other notable artists at the Stephen Daiter Gallery in Chicago.