Showing posts with label David C. Driskell. Show all posts
Showing posts with label David C. Driskell. Show all posts

Friday, January 24, 2025

NASHVILLE: DAVID C. DRISKELL

David C. Driskell & Friends: Creativity, Collaboration, and Friendship 

March 14 - June 1, 2025

FRIST ART MUSEUM
919 Broadway
Nashville, TN

From fristartmuseum.org:

David C. Driskell & Friends: Creativity, Collaboration, and Friendship highlights the artistic legacy of David C. Driskell and the importance of his relationships with fellow artists—many of whom hold a significant place in the 20th-century art canon. In 1976, Driskell curated the groundbreaking exhibition Two Centuries of Black American Art: 1750–1950, which has been foundational for the field of African American art history. Many of the artists featured in Two Centuries of Black American Art are included in David C. Driskell & Friends.

This exhibition explores the work of, and Driskell’s relationships with, such figures as Romare Bearden, Elizabeth Catlett, Jacob Lawrence, Keith Morrison, James Porter, Kara Walker, Hale Woodruff, and many others. It features more than 70 artworks by 35 prominent African American artists as well as ephemera from the Driskell Papers that exemplify the artists’ unique friendships.

For more information, click here.  

Thursday, February 18, 2016

AWARDED: High Museum of Art Names Mark Bradford 2016 Recipient of David C. Driskell Prize

Mark Bradford, 2016 Driskell Prize Recipient.

Artist to be honored at the 12th annual Driskell Prize Dinner on April 29th in Atlanta

From High Museum of Art press release:

The High Museum of Art has named contemporary artist Mark Bradford the 2016 recipient of the David C. Driskell Prize. Named for the renowned African-American artist and art scholar, the Driskell Prize was founded in 2005 as the first national award to recognize an early or mid-career scholar or artist whose work makes an original and important contribution to the field of African-American art or art history. Bradford will be honored at the Driskell Prize Dinner at the High on Friday, April 29, 2016, at 7 p.m.
Based in Los Angeles, Bradford is known for his monumental, abstract collage works, which feature intricately layered forms and lines created using found materials such as string, carbon paper and billboard paper. In his paintings, installations and sculptures, Bradford explores how socioeconomic and political forces converge to shape the diverse culture and physical environments of urban communities. Bradford’s work has been featured in more than 40 solo exhibitions over the past two decades and is included in the collections of distinguished institutions such as The Guggenheim, the Walker Art Center and the Los Angeles County Museum of Art.
“Mark Bradford is a wonderfully important voice in contemporary art,” said Rand Suffolk, the High’s Nancy and Holcombe T. Green, Jr., director. “His work and life powerfully advocate for social change and provide poignant 21st century perspectives on the politics and psychology of human interaction. The boundary-pushing nature of his practice embodies the spirit of our annual Driskell Prize, and we’re proud to honor him in this way.”
The selection process for the 2016 recipient of the Driskell Prize began with a call for nominations from a national pool of artists, curators, teachers, collectors and art historians. Bradford was chosen from these nominations by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.
The 2016 Driskell Prize Dinner is co-chaired by M. Alexis Scott and Jim Morgens with Honorary Chair Louise Sams. Tickets for the black-tie event may be purchased by contacting Rhonda Matheison atrhonda.matheison@woodruffcenter.org or 404-733-4403.


Click here to read more about Mark Bradford and the Driskell Prize



Wednesday, February 18, 2015

AWARDED: Kirsten Pai Buick

Kirsten Pai Buick photographed by Aziza Murray. Image courtesy of High Museum of Art.
High Museum of Art Names Kirsten Pai Buick 2015 Recipient of David C. Driskell Prize

From High Art Museum press release:

The High Museum of Art has announced Dr. Kirsten Pai Buick the 2015 recipient of the David C. Driskell Prize. Named for the renowned African-American artist and art scholar, the Driskell Prize was founded in 2005 as the first national award to recognize an early or mid-career scholar or artist whose work makes an original and important contribution to the field of African-American art or art history. Buick will be honored at the Driskell Prize Dinner in Atlanta on Saturday, May 2, 2015, at 6:30 p.m.

An associate professor of art history at the University of New Mexico, Buick specializes in American art, focusing her research on African-American art, the impact of race and gender on the history of art, representations of the American landscape, and the history of women as patrons and collectors of the arts. She has advanced scholarship of the work of numerous African-American artists through publications including the first book-length examination of the life and career of 19th-century sculptor Mary Edmonia Lewis.

“Kirsten Pai Buick is a seasoned scholar with an impassioned voice as an art historian,” said Michael E. Shapiro, Nancy and Holcombe T. Green, Jr., director of the High. “She is distinguished by her groundbreaking research on a broad range of historical and contemporary subjects as well as her commitment as a professor. These accomplishments make her a deserving recipient of this year’s Driskell Prize.”

The selection process for the 2015 recipient of the Driskell Prize began with a call for nominations from a national pool of artists, curators, teachers, collectors and art historians. Buick was chosen from these nominations by review committee members assembled by the High, which this year included Michael Rooks, the High’s Wieland Family curator of modern and contemporary art; Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; and Lauren Haynes, assistant curator, Studio Museum in Harlem.

The 2015 Driskell Prize Dinner is co-chaired by Curley M. Dossman, Jr., and Merry McCleary with Honorary Chair Michael Lomax. Tickets for the black-tie event may be purchased by contacting Rhonda Matheison at rhonda.matheison@woodruffcenter.org or 404-733-4403.

About Kirsten Pai Buick, Ph.D.
Buick is a tenured associate professor at the University of New Mexico, where she has taught for more than 14 years. Buick earned her bachelor’s degree in art history and Italian literature in 1985 from the University of Chicago. In the early 1990s, she moved to Italy for eight months to continue her work on Italian studies. Noting the prominence of U.S. visual culture in Europe during her time there, she re-focused her area of concentration to British colonial and American art upon her return to the United States. She earned her master’s and doctorate degrees in art history from the University of Michigan.

Buick has published extensively on African-American art. Her book “Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject” was published by Duke University Press, and her second book, “In Authenticity: Kara Walker and the Eidetics of Racism,” is currently in progress. Her published articles include studies on the work of artists including Daniel Coburn, Patrick Nagatani, Joseph Delaney, Aaron Douglas, Horace Pippin and Kehinde Wiley.

In addition to receiving the Driskell Prize, Buick has earned numerous academic, professional and scholarly awards and grants including the Smithsonian American Art Museum’s Predoctoral Fellowship, the Charles Gaius Bolin Fellowship at Williams College, CAA Professional Development Fellowship in Art History, Rhoades Foundation Visiting Lectureship and the UNM University Libraries Faculty Acknowledgement Award.

About the David C. Driskell Prize
Established by the High in 2005, the David C. Driskell Prize is the first national award to honor and celebrate contributions to the field of African American art and art history. Past recipients include Lyle Ashton Harris (2014),  Andrea Barnwell Brownlee (2013), Rashid Johnson (2012), Valerie Cassel Oliver (2011), Renee Stout (2010), Krista A. Thompson (2009), Xaviera Simmons (2008), Franklin Sirmans (2007), Willie Cole (2006) and Dr. Kellie Jones (2005). A cash award of $25,000 accompanies the prize. Proceeds from the High’s annual Driskell Prize Dinner go toward both the David C. Driskell African American Art Acquisitions Fund and the David C. Driskell African American Art Endowment. Through the David C. Driskell African American Art Acquisitions Fund, the High has acquired works by artists including Romare Bearden, Rashid Johnson, Radcliffe Bailey, Nick Cave, Willie Cole, John T. Scott and Renee Stout.

About David C. Driskell
David Driskell is a practicing artist and scholar whose work on the African Diaspora spans more than four decades. The High’s relationship with Driskell began in 2000, when the Museum presented the concurrent exhibitions “To Conserve a Legacy: American Art from Historically Black Colleges and Universities” and “Narratives of African American Art and Identity: The David C. Driskell Collection,” which examined African American art in the broad historical context of modern and contemporary art. Born in 1931 in Eatonton, Ga., Driskell is distinguished professor emeritus at the University of Maryland, College Park. He received his bachelor of arts degree from Howard University in 1955 and his master of fine arts degree from Catholic University in 1962. He also attended the Skowhegan School of Painting and Sculpture in Maine in 1953 and studied art history in The Hague, the Netherlands, in 1964. More information about Driskell is available at www.driskellcenter.umd.edu.

About the High Museum of Art
The High is the leading art museum in the southeastern United States. With more than 14,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk art and African art. The High is also dedicated to supporting and collecting works by Southern artists. For more information about the High, visit high.org.

About The Woodruff Arts Center
The Woodruff Arts Center is one of the largest arts centers in the world, home to the Alliance Theatre, the Atlanta Symphony Orchestra, the High Museum of Art and Arts for Learning. Each year, these arts organizations play host to over 1.2 million patrons at The Woodruff Arts Center’s midtown Atlanta location, one of the only arts centers in the United States to host both visual and performing arts on a single campus. Through its work with educators and schools, The Woodruff Arts Center serves over 300,000 students annually and is the largest arts educator in Georgia.



Thursday, March 27, 2014

LECTURE: Charles White - The Last of the Romanticists / College Park, MD / April 3, 2014

Andrea Barnwell Brownlee, Ph.D. Image via museum.spelman.edu. 
Presented by Andrea Barnwell Brownlee, Ph.D., Director of the Spelman College Museum of Art

Thursday, April 3, 2014

Public Reception: 5:30PM – 6:00PM

Lecture: 6:00PM

1207 Cole Student Activities Building
University of Maryland
College Park, MD

Join the David C. Driskell Center as it explores the legacy of Charles White, one of the most important and influential African American artists of the twentieth century.  

Andrea Barnwell Brownlee, Ph.D. is an art historian, curator, writer, the Director of the Spelman College Museum of Fine Art, and the recipient of the 2013 David C. Driskell Prize in African American Art and Art History. Dr. Barnwell Brownlee, an alumna of Spelman College, earned her Ph.D. in Art History from Duke University in 2001. 

The lecture is held in conjunction with the exhibition Heroes: Gone but not Forgotten-The Art of Charles White on display at the David C. Driskell Center January 30 to May 23, 2014.




Thursday, January 30, 2014

COLLEGE PARK: Charles White

Charles White, Jubilee, 1974, Oil on board. Courtesy of Landau Traveling Exhibitions/Heritage Gallery, Los Angeles, CA.

Heroes: Gone But Not Forgotten…
January 30 – May 23, 2014

Opening reception: Thursday, January 30, 2014, 5:00 - 7:00pm

1214 Union Drive
College Park, MD

Charles White – Heroes: Gone But Not Forgotten…, contains 47 works created by artist Charles White, features drawings, prints, and paintings spanning from the 1930s to the 1970s. From early drawings to works that incorporate the experience of a lifetime, the works in this exhibition represent a broad slice of a storied and rich career.

Charles White (1918-1979) flourished in the face of conflict. His work draws much of its strength from the racism he faced during his childhood in Chicago. In the later part of his career, he struggled to maintain a representational style when the mainstream of American art was shifting towards the Pop Art and Abstract Expressionism of artists like Andy Warhol and Jackson Pollock; again, these difficulties served as a catalyst to propel the quality and scope of his work. White envisions steadfast heroes: heroes not born of privilege or power, but rather created by the achievement of the human spirit.

Whether the piece is a drawing, painting, linocut, or lithograph, White uses strong lines to instill in his richly detailed figures a sense of dignity and quiet heroism. In Awaiting His Return (1946, charcoal on paper), White presents a woman, head in hand, eyes sad yet hopeful. The altered perspective lines of the drawing invite the viewer to look beyond what is plainly visible; the soft charcoal shading contained within the harsh, sharply angular confines of her body indicate the distances between pain and resolve—the struggle of the hero.

The majority of the works in this exhibition—the largest collection of White’s work displayed in several decades—have never before been seen. The works come from the Arthur Primas Collection, which includes more than five hundred works of art by African American artists and artists of the Diaspora. The exhibition is curated by Charlotte Sherman of the Heritage Gallery in Los Angeles, CA. It is organized by Landau Traveling Exhibitions and has traveled to the North Carolina Central University Art Museum in Durham, North Carolina in 2012; the exhibition will continue to travel following its closing at the Driskell Center.

In conjunction with the Heroes exhibition, the David C. Driskell Center is proud to feature several works by Charles White from the Center’s permanent art collection, most notably Sammy Davis Jr. (1959, graphite drawing mounted onto acrylic painted board) and Creole Madonna (1934, color crayon on paper), recently donated to the Center from the Sandra and Lloyd Baccus Collection. In addition, the Center will organize a Drawnathon, a day when students and local art enthusiasts will attempt to complete the longest drawing ever created at the University of Maryland, College Park campus. The event will be held on Saturday, April 26, 2014. Additional details will be available on Driskell Center website.




Wednesday, July 11, 2012

ALLIANCE CONFERENCE 2012: The Saint Louis Art Museum / July 12-15



Broad range of art experts and connoisseurs brought together for the 12th National Alliance of African and African American Art Support Groups 

The Saint Louis Art Museum will play host to “Navigating the Mainstream: Learning from the Past, Looking to the Future,” the 2012 convention of the National Alliance of African and African American Art Support Groups, on July 12-15.  

Over three days, more than 25 prominent artists and scholars will discuss the rich history and development of African and African American arts. Conference panels and presentations will also address the best practices regarding the collection and preservation of these works as well as their presentation and interpretation, especially in mainstream museums. 

In one such panel, distinguished scholar Dr. David Driskell, professor emeritus of the University of Maryland, will discuss his role in assisting many organizations and individuals in assembling art collections, most notably the Camille and Bill Cosby Collection and the Driskell collection. In 1995, Dr. Driskell supervised the White House’s first purchase of a work of art by an African American artist. 

In addition to engaging in critical discussion and reflection, conference participants will explore surrounding arts organizations such as Theaster Gates’s Rebuild Foundation, located and active in the Hyde Park neighborhood. Rebuild Foundation brings together artists, architects, developers, educators, and community activists throughout the Midwest to affect creative community change. 

The conference will also celebrate the 20th anniversary of the Saint Louis Art Museum’s Romare Bearden Graduate Minority Museum Fellowship. The fellowship was named for African American artist Romare Bearden, who supported young and emergent artists throughout his life, with the goal of preparing minority graduate students for careers in arts and cultural institutions.   

The National Alliance Conference coincides with the summer exhibition of renowned print artist Kara Walker’s Harper’s Pictorial History of the Civil War (Annotated) by KaraWalker. Featured in Gallery 321 until August 26, 2012, Walker’s prints explore historical and contemporary views of the Civil War through parataxis.  This exhibition was co-curated by the 2011-2012 Romare Bearden Graduate Minority Fellow.  

For more information on the conference, including schedules, guest speakers and registration, visit slam.org/bearden2012. Follow the conference on Twitter at @Bearden2012


The Saint Louis Art Museum is one of the nation’s leading comprehensive art museums with collections that include works of art of exceptional quality from virtually every culture and time period. Areas of notable depth include Oceanic art, pre-Columbian art, ancient Chinese bronzes and European and American art of the late 19th and 20th centuries, with particular strength in 20th-century German art. The Museum offers a full range of exhibitions and educational programming generated independently and in collaboration with local, national and international partners.  Admission to the Saint Louis Art Museum is free to all every day. For more information about the Saint Louis Art Museum, call 314.721.0072 or visit  slam.org.


Friday, July 15, 2011

LIMITED EDITION PRINT: "Mask and Urban Man" by David C. Driskell

David C. Driskell
Mask and Urban Man, 2010
Woodcut
17 1/2" x 15"
Edition of 30

HEMPHILL announces the release of Mask and Urban Man by David C. Driskell for the benefit of the Institute for Responsible Citizenship.

Born in 1931 into a family of Georgia sharecroppers, David C. Driskell is today a renowned painter and collector of art, as well as one of the leading authorities on the subject of African American art and the black artist in American society. His paintings can be found in major museums and private collections worldwide. His contributions to scholarship in the history of art include many books and more than 40 catalogues for exhibitions he has curated. His essays on the subject of African American art have appeared in major publications throughout the world. Driskell has demonstrated a renewed interest in printmaking over the past decade. Evolution: Five Decades of Printmaking by David C. Driskell, a retrospective exhibition of his prints, has been traveling nationwide since 2007.

The Institute for Responsible Citizenship prepares high-achieving African American men for successful careers in business, law, government, public service, education, journalism, the sciences, medicine, ministry, and the arts. The Institute’s goal is not only to help talented African American men achieve career success, but it is also to train these young leaders to be men of great character who will make significant contributions to their communities, their country, and the world. For more information, visit http://www.i4rc.org/.

For more information on this print, please contact HEMPHILL at 202.234.5601
or e-mail gallery@hempillfinearts.com