NEW YORK: Martin Puryear

Martin Puryear, Drawing for Maroon, 1986/88. Black Conté crayon, with smudging, over graphite, on ivory wove paper. Courtesy of the artist. © Martin Puryear, Courtesy Matthew Marks Gallery via themorgan.org.

Multiple Dimensions   

October 9, 2015 - January 10, 2016

Artist Talk: A Conversation with Martin Puryear, Tuesday, October 27, 2015, 6:30PM

THE MORGAN LIBRARY & MUSEUM

225 Madison Avenue at 36th Street

New York, NY

From themorgan.org:

One of the most important contemporary American artists, Martin Puryear (b. 1941) is known primarily for the refined elegance of his abstract, hand-made sculptures. However, throughout his career he has consistently turned to drawing to elaborate ideas and forms for works in three dimensions. Martin Puryear: Multiple Dimensions, on view at the Morgan Library & Museum from October 9 through January 10, 2016, is the first exhibition to explore the essential role drawing plays in the artist’s practice. The show includes over seventy works—from quick sketches to monumental, finished compositions—borrowed largely from Puryear’s own collection. Most of the drawings have never been exhibited and span the artist’s undergraduate years to the present. The exhibition will also include a selection of prints and sculptures related to the drawings.

Press Release

Exhibit Link

CHICAGO: Bob Thompson

Bob Thompson, Untitled (Beverly Sketchbook: Ornette at the Five Spot), 1960, felt-tip pen on paper, 17 x 14 inches.
Image via Corbett vs. Dempsey Facebook page.

Live at the Five Spot

June 13 - July 11, 2015

CORBETT VS. DEMPSEY

1120 North Ashland Avenue, 3rd Floor

Chicago, IL

From corbettvsdempsey.com:

Corbett vs. Dempsey is proud to present Live at the Five Spot, an exhibition of newly discovered drawings by the artist Bob Thompson. In the years leading up to his untimely death in 1966, Thompson was a habitué of downtown New York’s underground jazz clubs, where he watched the great innovators of free jazz, including Ornette Coleman and Milford Graves, as well as the towering figures of post-bop and hard-bop, including Sonny Rollins and Art Blakey. Himself an amateur drummer, Thompson was one of the most admired young figurative painters of his era, and he was friendly with many of these musicians. His masterwork “The Garden of Music” (a 12-foot wide canvas in the collection of the Wadsworth Atheneum) depicts all of these players. Organized in collaboration with Michael Rosenfeld Gallery, who represents the Thompson Estate, this exhibition unveils sizzling linear portraits of Blakey, Rollins, Graves, trumpeter Enrico Rava, and Coleman, the latter drawn during the saxophonist’s legendary 1960 run at the Five Spot Café. A single painterly watercolor, more akin to Thompson’s canvases, is titled “Charlie Parker Waits in the Wings.”  

Live at the Five Spot is accompanied by a full-color catalog featuring images of all the drawings.

Exhibit Link

COLLEGE PARK: Charles White

Charles White, Jubilee, 1974, Oil on board. Courtesy of Landau Traveling Exhibitions/Heritage Gallery, Los Angeles, CA.

Heroes: Gone But Not Forgotten…

January 30 – May 23, 2014

Opening reception: Thursday, January 30, 2014, 5:00 - 7:00pm

THE DAVID C. DRISKELL CENTER

1214 Union Drive

College Park, MD

Charles White – Heroes: Gone But Not Forgotten…, contains 47 works created by artist Charles White, features drawings, prints, and paintings spanning from the 1930s to the 1970s. From early drawings to works that incorporate the experience of a lifetime, the works in this exhibition represent a broad slice of a storied and rich career.

Charles White (1918-1979) flourished in the face of conflict. His work draws much of its strength from the racism he faced during his childhood in Chicago. In the later part of his career, he struggled to maintain a representational style when the mainstream of American art was shifting towards the Pop Art and Abstract Expressionism of artists like Andy Warhol and Jackson Pollock; again, these difficulties served as a catalyst to propel the quality and scope of his work. White envisions steadfast heroes: heroes not born of privilege or power, but rather created by the achievement of the human spirit.

Whether the piece is a drawing, painting, linocut, or lithograph, White uses strong lines to instill in his richly detailed figures a sense of dignity and quiet heroism. In Awaiting His Return (1946, charcoal on paper), White presents a woman, head in hand, eyes sad yet hopeful. The altered perspective lines of the drawing invite the viewer to look beyond what is plainly visible; the soft charcoal shading contained within the harsh, sharply angular confines of her body indicate the distances between pain and resolve—the struggle of the hero.

The majority of the works in this exhibition—the largest collection of White’s work displayed in several decades—have never before been seen. The works come from the Arthur Primas Collection, which includes more than five hundred works of art by African American artists and artists of the Diaspora. The exhibition is curated by Charlotte Sherman of the Heritage Gallery in Los Angeles, CA. It is organized by Landau Traveling Exhibitions and has traveled to the North Carolina Central University Art Museum in Durham, North Carolina in 2012; the exhibition will continue to travel following its closing at the Driskell Center.

In conjunction with the Heroes exhibition, the David C. Driskell Center is proud to feature several works by Charles White from the Center’s permanent art collection, most notably Sammy Davis Jr. (1959, graphite drawing mounted onto acrylic painted board) and Creole Madonna (1934, color crayon on paper), recently donated to the Center from the Sandra and Lloyd Baccus Collection. In addition, the Center will organize a Drawnathon, a day when students and local art enthusiasts will attempt to complete the longest drawing ever created at the University of Maryland, College Park campus. The event will be held on Saturday, April 26, 2014. Additional details will be available on Driskell Center website.

Exhibit Link