Showing posts with label African Photography. Show all posts
Showing posts with label African Photography. Show all posts

Saturday, April 16, 2016

TRANSITION: Malick Sidibé (1936 - 2016)





Malick Sidibé, Photographer Known for Social Reportage in Mali, Dies at 80


Text | William Grimes for NYTimes.com
Published | April 15, 2016

Malick Sidibé, whose black-and-white photographs of young partygoers captured the exuberance of newly independent Mali in the 1960s and ’70s and made him one of Africa’s most celebrated artists after his work was shown abroad in the 1990s, died on Thursday in Bamako, Mali. He was 80.

His son Karim Sidibé said the cause was complications of diabetes, The Associated Press reported.


Read full article here









Thursday, April 14, 2016

CHICAGO: Zohra Opoku

Draped Encounters/Beyond Visage
April 14 - May 14, 2016

Curated by Erin Gilbert

KRUGER GALLERY CHICAGO
3709 North Southport Avenue
Chicago, IL

From krugergallerychicago.com:

Kruger Gallery Chicago presents Draped Encounters/ Beyond Visage, the first US solo exhibition of works by Ghanaian-German artist Zohra Opoku. Opoku is a photographer, filmmaker and installation artist whose work is informed by fashion, nature, Ghana and psychic energy.

Draped Encounters/Beyond Visage presents two recent bodies of work shot between 2012 and 2015. Opoku is a former fashion designer, who employs textiles and the language of fashion to explore issues of identity and representation. In carefully choreographed moments of tropical gardens and urban ruins, Opoku interrogates the relationship of textiles to natural and built environments. In her photographs, films and installations, Opoku uses second hand textiles, imported from Europe and the US to Ghana, to thread an African feminist handwriting in the work. Staged in Accra, Ghana, these images document the travels of a woman of African descent who performatively traced the transatlantic.

The first body of work, entitled Handwash Only, began in 2008 and was originally conceived of as a research series. Named for the washing instructions on clothing tags, this series addresses the daily hassle of washing by hand in Africa.  These images capture clothes hung by the owner and rearranged in a gust of wind. These natural compositions offer a glimpse from the public sphere to the private sphere, mythologizing the owners, seen only through their laundry-hanging rituals. These clothes represent a shared experience. Opoku observed that the African wax print, which she associates with a classical Ghanaian dress code, is seldom seen on traditional clotheslines. To create the illusion of Ghanaian identity, Opoku includes the rarely found African print wax in her clothesline compositions.

The second body of work is a set of film stills from Textures in Motion which bears witness to the engagement between the body, textile and environment. In the video Ms. Opoku uses artists as models, then drapes and disguises them to mimic a distinctly west African mystical practice of masquerade. Rather than the physical identity it is the psychic energy, the movement of the artist, which renders them visible in these draped encounters.

According to Okopu, “The entity or force of a spirit: In the African world the Western differentiation between consciousness and unconsciousness does not exist. Africans invented different names for the soul, which can be located outside a body. It is called “sassa” by the Ashantis. In my disguise practices I capture what we can’t see with our physical eye — the dynamic spirit “sassa.” (Ours Lagos Photo 2015 Festival Interviews).

Zohra Opoku (b.1976) is a German born, Accra-based versatile artist whose work employs media including installations, photography and video to explore the sophistication of textile cultures in disparate spaces targeting fashion’s political and psychological role and socio-cultural dynamics in relation to African history and individualistic or societal identities. Opoku received an MFA from the University of Applied Sciences in Hamburg.

Opoku has been included in exhibitions nationally and internationally. In 2015 alone she was featured Material Effects at the Eli & Edythe Broad Art Museum, East Lansing, Michigan; Future Africa: Visions in Time in Denmark; Making Africa at the Guggenheim Bilbao; and Making Africa at the Vitra Design Museum, Weil am Rhein, Switzerland. Her work has been exhibited in galleries in London; Berlin; Accra, Ghana; and Capetown, South Africa. Her work will be featured in a solo presentation at 1:54 Art Fair in New York, May 6-8, 2016 by Mariane Ibrahim Gallery.



Thursday, February 4, 2016

NEW YORK: Close to Home


Image: © Mimi Cherono Ng'ok, Chebet and Chemu in the garden, from “The Other Country”, 2008-2016

New Photography from Africa featuring Andrew Esiebo, Sabelo Mlangeni, Mimi Cherono Ng'ok, Musa N. Nxumalo, and Thabiso Sekgala

February 4 - April 23, 2016

THE WALTHER COLLECTION PROJECT SPACE
526 West 26th Street, Suite 718
New York, NY

From The Walther Collection e-blast:

The Walther Collection is pleased to announce the second installment of its multi-year exhibition series on contemporary photography and video art from Africa. Presented thematically from 2015 to 2017, and expanding the collection's longstanding focus on African photography, this program features a diverse range of emerging artists who are exploring new visions of social identity in Africa and the African Diaspora. It will culminate in spring 2017 with a major exhibition at The Walther Collection's museum in Neu-Ulm, Germany, which will be accompanied by a catalogue co-published by Steidl.

Close to Home brings together five young photographers who represent a powerful new vision of portrait photography in Africa. Andrew Esiebo (Nigeria), Sabelo Mlangeni (South Africa), Mimi Cherono Ng'ok (Kenya), Musa N. Nxumalo (South Africa), and Thabiso Sekgala (South Africa) explore intense social relationships, vividly documenting the flawed beauty of everyday life.

Through intimate portrayals of friends and family, in-depth accounts of eclectic sub-cultures and communities, and typological studies of professions, the artists in Close to Home explore the emotional ties between subject and landscape, engaging with complex senses of belonging and self-identification. Together, working between familiarity and distance, self-discovery and generational portrait, these artists are at the vanguard of visual storytelling.


Monday, September 28, 2015

PHOTO FINISHED: South African Photographer Cedric Nunn Releases Monograph of Works


Cedric Nunn | Book Launch & Artist Talk    
Thursday, October 1, 2015 | 6 - 8PM


DAVID KRUT PROJECTS, NEW YORK   
526 West 26th Street
New York, NY


Cedric Nunn will be in New York for the publication launch of Unsettled: The One Hundred Years War of Resistance by Xhosa Against Boer and British, a collection of photographs that documents the Eastern Cape, the site of the longest and most complex anti-colonial confrontation in Africa's history. The event is part of a three week tour in the US, undertaking speaking engagements at universities including The University of Virginia, Georgetown University, Rhode Island School of Design, Wheaton College, Indianapolis University, State University of New York-Oswego, Yale University, and Rutgers University.

Published by Pirogue Collective / Island Position (Archipelago Books)
(Option to pre-order signed copies is only available now through Thursday, October 1.)

Cedric Nunn’s exhibit Unsettled: The One Hundred Years War of Resistance by Xhosa Against Boer and British is on view September 10 - October 24, 2015 at David Krut Projects, New York.

Click here for exhibit info and images.



Thursday, September 10, 2015

NEW YORK: Cedric Nunn


Unsettled: One Hundred Years of War of Resistance Xhosa Against Boer and British  
September 10 - October 24, 2015


DAVID KRUT PROJECTS
526 West 26th Street, Suite 816
New York, NY


David Krut Projects is pleased to present Unsettled: One Hundred Years War of Resistance by Xhosa Against Boer and British, an exhibition by acclaimed South African photographer Cedric Nunn. Nunn, who is best known for his photographs taken during apartheid, aims to instigate social change and highlight lesser seen aspects of society with his photography. Made up of sixty-one silver-toned, hand printed photographs, this exhibition deals with the nine wars that Xhosa people were subjected to between 1779 and 1879 in their fight against Afrikaner and British colonial settler forces. It will be exhibited in the US in collaboration with Wheaton College, Beard and Weil Galleries and Rhode Island School of Design, Benson Hall.

Click here to for exhibit info and images.

Thursday, January 29, 2015

NEW YORK: Santu Mofokeng

Santu Mofokeng, (Detail) Eyes-wide-shut, Motouleng Cave, Clarens, from Chasing Shadows, 2004.
Image via The Walter Collection Facebook page. 
A Metaphorical Biography
January 29 – May 23, 2015

Opening reception: Thursday, January 29, 2015, 6-8PM

526 West 26th Street, Suite 718
New York, NY

From Walther Collection e-blast:

The Walther Collection presents a solo exhibition of photographs by Santu Mofokeng, bringing together seven remarkable series of poetic and resonant images by one of South Africa's most important artists. Drawn exclusively from the collection, Santu Mofokeng: A Metaphorical Biography features selections from powerful black-and-white photographic essays exploring landscape and social identity. Mofokeng's nuanced, slowed-down work resists the sensational, providing an intimate vision of South African communities, while his evocative landscapes consider memories of historical trauma. This exhibition spans three decades of Mofokeng's career and includes numerous prints shown for the first time in the United States.


Follow The Walther Collection on Facebook and Twitter

Visit the BlackArtistNews Exhibits Page for this 
and other national and international art exhibits currently on view




Tuesday, November 18, 2014

BOOK SIGNING: Zanele Muholi / New York / November 19, 2014

Images from Zanele Muholi's Faces and Places, 2006-2014
Join The Walther Collection for a special launch celebrating Zanele Muholi's new book, Faces and Phases: 2006-14, published by The Walther Collection and Steidl.

Wednesday, November 19, 2014 from 6:30-8pm

Free and open to the public. 
RSVP essential: invitation@walthercollection.com

526 West 26th Street, Suite 718
New York City

From The Walther Collection e-blast:

Zanele Muholi will be present to speak about her art and activism. Signed copies of Faces and Phases: 2006-14 will be available for sale.

In Faces and Phases: 2006-14, Zanele Muholi embarks on a journey of visual activism to ensure black queer and transgender visibility. Despite South Africa's progressive constitution and twenty years of democracy, black lesbians and transgender men remain the targets of brutal hate crimes and so-called corrective rapes. Taken over the past eight years, the more than 250 portraits in this book present a compelling statement about the lives and struggles of these individuals. They also comprise an unprecedented and invaluable archive: marking, mapping, and preserving an often-invisible community for posterity.

Accompanying her vivid portraits, Faces and Phases presents a series of moving testimonies by queer women and transmen who intimately engage with this long-term project. In poems and memoirs, Muholi's subjects describe the struggle to live a life of freedom in a social climate where being oneself can incite violence and abuse. With an essay by Gabeba Baderoon, as well as an extensive historical timeline tracking the oppression of gays and lesbians in Africa from the 1700s to today, Faces and Phases makes an extraordinary statement about resilience and solidarity.

Zanele Muholi was born in 1972 in Umlazi township in Durban, South Africa. She lives in Johannesburg. Muholi studied at the Market Photo Workshop in Newtown, Johannesburg, and received an MFA in Documentary Media from Ryerson University in Toronto. In 2009, she founded Inkanyiso, an organization that deals with visual arts, activism, media, and advocacy. The winner of numerous awards, Muholi's work has been featured in exhibitions including the 55th Venice Biennale, Documenta 13, the 29th São Paulo Biennal, and at institutions such as The V&A Museum; The San Francisco Museum of Modern Art; The Wits Art Museum, Johannesburg; The Menil Collection; and The Walther Collection in New York and Neu-Ulm, Germany. Her award-winning documentary, Difficult Love, has been screened at festivals around the world. Zanele Muholi: Isibonelo/Evidence will be presented beginning May 1, 2015 at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. 





Monday, November 17, 2014

EVENT: Conversations Among Friends / New York / November 17, 2014

Zanele Muholi, Vredehoek, 2011; Nomonde Mbusi (detail) by Zanele Muholi.
Featuring artist Zanele Muholi and actress Nomonde Mbusi

Monday, November 17, 2014
 7:00 pm program | 8:15 pm reception
Doors open at 6:45 pm

Tickets ($35 General Admission, $20 Members, $12 Students) may be purchased at the Museum information and film desks, online at MoMA.org, or through The Friends of Education Office.

The Celeste Bartos Theater (Theater 3)
The Lewis B. and Dorothy Cullman Education and Research Building
4 West 54th Street
New York, NY

From moma.org:

Presented by The Friends of Education of The Museum of Modern Art as part of the series Conversations: Among Friends, this evening's program features a conversation between artist Zanele Muholi and actress, director, and playwright Nomonde Mbusi, moderated by Judith B. Hecker, MoMA's assistant curator for drawings and prints. The program will focus on Muholi’s work as a "visual activist" dedicated to issues of race, gender, and sexuality, and will reflect on this year’s 20th anniversary of democracy in South Africa—still a work in progress. Muholi is best known for her photographic series Faces and Phases, five of which are in MoMA’s collection. Begun in 2006, this series portrays black members of the LGBTI community in South Africa and around the world, giving voice to their stories and displacing conventional perceptions. Nomonde Mbusi, one of Muholi’s participants in Faces and Phases and an artist and activist in her own right, joins the discussion. Following the program, guests are invited to continue the conversation at an intimate reception catered by Fantasy Fare in The Cullman Mezzanine. Muholi’s newest book, Zanele Muholi: Faces and Phases 2006–2014 (The Walther Collection/Steidl 2014) will be available for purchase and signing by the artist.

Zanele Muholi was born in 1972 in Umlazi township in Durban, South Africa, and currently lives in Johannesburg. Prior to her photographic journeys, she worked as a human rights activist, raising issues facing black lesbian women in South Africa. In 2009 she founded Inkanyiso, an organization centered on visual arts, activism, media, and advocacy. Muholi studied at the Market Photo Workshop in Johannesburg, and graduated from Ryerson University in Toronto in 2009 with an MFA in documentary media. She is the winner of awards from the 2009 Rencontres de Bamako African Photography Biennial; the 2013 Carnegie International; and recipient of a 2013 Prince Claus Award. Muholi’s work has been featured in the 55th Venice Biennale; Documenta 13; the 29th São Paulo Biennial; and has been shown at prestigious museums worldwide. Her work can be found in numerous museum collections including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; South African National Gallery, Cape Town; Centre Georges Pompidou, Paris; Tate Modern, London; The Menil Collection, Houston; and The Walther Collection, Neu-Ulm, Germany; among others. Her award-winning documentary Difficult Love (2010) has been shown at film festivals around the world.

Nomonde Mbusi was trained in dramatic arts at the University of Zululand. Since 1997, she has performed in numerous theater productions and is best known for her role as Fikile in Flipping the Script, a four women show on gender-based violence (2004-07). In 2004 she cofounded Insika Productions with Muholi, where she worked as artistic director and facilitator. Through Insika, she organized creative arts healing workshops for women survivors of violence in organizations such as POWA-People Opposing Women Abuse and FEW-Forum for the Empowerment of Women. Her recent acting accomplishments include the lead role of Brenda on SABC 1’s drama Usindiso (Redemption), and Thando in Dr. John Kani’s play Nothing but The Truth at the Soweto Theatre, along with several other television and radio performances.

Judith B. Hecker, Assistant Curator, Department of Drawings and Prints at MoMA, organized Impressions from South Africa, 1965 to Now: Prints from The Museum of Modern Art (2011), which featured some 80 prints, artist’s books, posters, and wall stencils by artists living in South Africa that were acquired by the Museum. She co-curated MoMA’s presentation of the touring exhibition William Kentridge: Five Themes (2010), and authored the accompanying publication Trace: William Kentridge, Prints from The Museum of Modern Art.





Thursday, March 27, 2014

NEW YORK: Malick Sidibé


March 28 – April 26, 2014

Opening reception: Friday, March 28, 2014, 6 – 8pm

524 West 24th Street
New York, NY

From jackshainman.com:

Jack Shainman Gallery is pleased to present Malick Sidibé’s fifth solo exhibition with the gallery. The show includes vintage prints from the 1960s through the 1980s as well as more recent prints made from negatives as early as 1963. The exhibition will also feature several rarely seen color Polaroid photographs.  Together the images capture a generation of urban Malians, or Bamakois, as they came of age in the time of Pan-African independence and rock and roll.

Sidibé opened Studio Malick in 1962, five years after buying his first camera. He soon branched out of the studio to photograph the nightlife and social scene of Bamako which had become a center for youth culture. Taking us from the beaches of Mali, to clubs and parties, and back to the studio, Sidibé’s photographs capture the sense of freedom his young subjects exude.  From candid action scenes to the carefully posed studio portraits of subjects in traditional clothing or the latest western fashions, Sidibé’s iconic images document the changing culture of a liberated country.

Mali gained its independence from France in 1960. At a time when nationalism was at an elevated height, economic and technological shifts allowed for the spread of international youth culture bringing James Brown and Easy Rider to a new generation of Malians. During this period young Bamakois embraced rock and roll, emulating western styles and distancing themselves from traditional culture. Manthia Diawara writes, “These photographs are speaking to me now, not only as important aesthetic documents on the culture of the 1960s, but also as documents that both problematize the narrow meaning of nationalism extent at that time, and open the doors to Pan-African and diasporic aesthetics through rock and roll.”

Malick Sidibé was born in 1936 in Mali, where he still lives and works. Recent solo exhibitions include Malick Sidibé: Chemises, The Frances Lehman Loeb Art Center, Vassar College, 2014;Studio Malick, DePaul University Art Museum, Chicago, 2012; which traveled to the Cornell Fine Arts Museum, Winter Park, Florida; Think with the Senses - Feel with the Mind, 52nd International Art Exhibition, Venice Biennial, 2007; Malick Sidibé: Chemises, Fotografiemuseum (FOAM), Amsterdam, 2008 and Malick Sidibé, The Cartier Foundation, Paris, 2004.

Malick Sidibé was awarded the Golden Lion for Lifetime Achievement Award by the Board of La Biennale di Venezia in 2007. In 2008 he was the recipient of International Center of Photography Infinity Award for Lifetime Achievement. He also was the recipient of the Hasselblad Award in 2003. Sidibé’s work is included in numerous public collections including The Metropolitan Museum of Art, New York, NY; Museum of Modern Art, New York, NY; San Francisco Museum of Modern Art, CA; J. Paul Getty Museum, Los Angeles, CA; Birmingham Museum of Art, AL; The Studio Museum in Harlem, New York, NY; Philadelphia Museum of Art, PA; High Museum of Art, Atlanta, GA and the International Center of Photography, New York, NY.




Tuesday, December 24, 2013

IN PRINT: African Photography from The Walther Collection / Harper’s Magazine / December 2013


Malick Sidibé, Back View, 1964. 

Look at me: Photographs from African past and present

Edwidge Danticat muses on three volume special edition box set produced by The Walther Collection and Steidl. The monographs document the collection’s multi-year exhibition and publishing program.

Excerpt: 
When people walk into a photo studio wearing their best finery, they demand control over how they are perceived, and they are aided by various combinations of props (wall prints, radios, bicycles, or even a single flower) and camera tricks (which might make a subject appear as his own twin, or seemingly put him in the presence of angels and ghosts). I was particularly intrigued by the studio portraits of the Malian photographer Malick Sidibé, in which we see most of his subjects from the back. Many of the photographs show no face at all, just a man’s hat or a woman’s elaborate hairstyle. In others we get a fleeting glance of a face, tilted slightly over the shoulder, as in the image of a young man with his jacket tucked under his elbow as he approaches the white backdrop.


Portraiture, argues the Nigerian-American curator Okwui Enwezor, is “a game of theater and masquerade, premised on the artifice of self-construction. The figure in the image, more than being depicted and displayed, insists on being seen, to be looked at, and desired.”
This yearning to be desired is most identifiable in the portraits that appear to have been meant for private use, such as many by the celebrated Malian portraitist Seydou Keïta. The desire not to be desired is here, too. In what looks like an engagement portrait gone wrong, a young woman seems more willing to hug Keïta’s radio than the young man who is trying to grasp her in his arms. Her defiant glare makes us feel like voyeurs.

Seydou  Keïta, Untitled photograph, 1949-51.

The Walther Collection is a growing international art collection dedicated to exhibiting contemporary photography and video.

Edwidge Danticat is an award winning author and MacArthur Fellow. Her most recent book Claire of the Sea Light (Knopf) was published in August 2013.

To read Miss Danticat’s essay in its entirety, pick up a copy of the December 2013 issue of Harper’s Magazine on newsstands now.