Showing posts with label Jason Moran. Show all posts
Showing posts with label Jason Moran. Show all posts

Friday, March 28, 2014

SIGNED: Jason Moran

Jason Moran performing the Fats Waller Dance Party at Harlem Stage Gatehouse, NYC, 2011. Photo by Eric Sandler via revive-music.com.

Luhring Augustine announces gallery representation of jazz pianist, composer, and performance artist.

Jason Moran's rich and varied body of work is actively shaping the current and future landscape of jazz. His activity stretches beyond the many recordings and performances with masters of the form including Charles Lloyd, Bill Frisell, and the late Sam Rivers, and his work with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records. 

The scope of Moran’s partnerships and music-making with venerated and iconic visual artists is extensive. He has collaborated with such major figures as Adrian Piper, Joan Jonas, Glenn Ligon, Stan Douglas, Adam Pendleton, Lorna Simpson, and Kara Walker; commissioning institutions of Moran’s work include the Walker Art Center, the Philadelphia Museum of Art, the Dia Art Foundation, the Whitney Museum of American Art, and Jazz at Lincoln Center. 

Moran has a long-standing collaborative practice with his wife, the singer and Broadway actress Alicia Hall Moran; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of live music. BLEED explored the power of performance to cross barriers and challenge assumptions, and it was widely hailed as groundbreaking in the music and performance realm.

Moran’s upcoming ventures include the world premiere of Looks of a Lot, a site-specific performance at Chicago Symphony Center with Theaster Gates in May 2014, and an appearance with The Bandwagon at the Solomon R. Guggenheim Museum in April in conjunction with the museum’s Carrie Mae Weems exhibition. Moran’s new recording, All Rise: A Joyful Elegy for Fats Waller, will be released in September by Blue Note Records. 

Moran was born in Houston, TX in 1975 and earned a degree from the Manhattan School of Music, where he studied with Jaki Byard. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. Moran currently teaches at the New England Conservatory.





Thursday, March 13, 2014

PERFORMANCE: Jason Moran and Theaster Gates / Chicago Symphony Center / May 30, 2014

Jason Moran. Image via jasonmoran.com.
Friday, May 30, 2014, 8:00PM

220 South Michigan Avenue
Chicago, IL

Innovative jazz pianist Jason Moran and multifaceted visual artist Theaster Gates will collaborate on a new work giving context to the phrase originally attributed to the Quakers: “speak truth to power.” As envisioned by two of today’s most inventive and brilliant artists, this Symphony Center Presents Jazz series commission will use stories from Chicago’s many eras to illustrate how the power of music and art can unite and transform the city.

Jason Moran statement to irockjazz.com (published August 9, 2013):

“[This performance] is a commission from the Chicago Symphony Center. James Fahey put together a series of concerts around the theme of speak truth to power. I thought this would be a way for Theaster and I to come together and kind of have an artistic discussion through our forms about the beautiful prospect that [Chicago] has created for people of all kinds of disciplines. If I think specifically, for my history, from the blues piano tradition, what the blues represents, what the south represents up north in Chicago, all this is good. But on the other side is kind of terrible. How do we improve these things within the human condition? What is the relationship that Chicago has to the rest of the world – not only Chicago to itself or Chicago to the media, but Chicago to Pakistan or Chicago to Australia? And so Theaster and I are working on a four or five movement piece around this subject of truth and power. It won’t premiere until late May of 2014.”