Claude Clark, Rain, not dated, Offset lithograph, 15-3/4 x 20 inches, Image courtesy of the
California African American Museum.
|
July 11 – September 13, 2013
600 State Drive, Exposition Park
Los Angeles, CA
The California African American Museum (CAAM) presents the
unrivaled exhibition The Harmon and Harriet Kelley Collection of
African American Art: Works on Paper, on view at CAAM from July
11, 2013 through September 13, 2013. This is one of the most comprehensive
traveling exhibitions ever organized featuring works on paper by
African-American artists from the 19th, 20th and 21st
centuries.
The 69 works in the exhibition include drawings, etchings,
lithographs, watercolors, pastels, acrylics, gouaches, linoleum cuts and color
screen prints by such noted artists as Ron Adams, Benny Andrews, Romare
Bearden, Aaron Douglas, Jacob Lawrence, Charles White, Elizabeth Catlett, John
Biggers, Henry Ossawa Tanner, Eldizer Cortor, Margaret Burroughs, and many other
outstanding lesser known artists. They are a small fraction of the
Kelley’s large collection that reads similar to a “Who’s Who” of the masters of
late 19th- and 20th-century African-American art. Esteemed art historian,
David Driskell, Professor Emeritus at the University of Maryland at College
Park, calls the Kelley Collection "one of the finest that has been
assembled tracing the history of African American art." The works on
paper that were gleaned from the Kelley Collection for this exhibition provide
a rare opportunity for the public to view master graphics spanning three
centuries of African-American art.
“In addition to preserving irreplaceable African American art,
The Kelley Collection gives the African American artists featured a large
platform to share their work with America,” says CAAM Executive Director
Charmaine Jefferson. “We are thrilled that this collection
will be at CAAM for the Los Angeles community to see work of the profound
artists rarely featured at other art institutions in the city.”
The Kelleys live in San Antonio, TX. Dr. Harmon Kelley, an
obstetrician-gynecologist, and his insightful wife, Harriet, a college-trained
biologist, were inspired to begin collecting after viewing an exhibition of
African-American art at the San Antonio Museum of Art, where they did not
recognize any of the artists’ names. Feeling a sense of cultural isolation,
they vowed to educate themselves about this unknown aspect of their heritage.
They also wanted to ensure that their two young daughters would become aware of
the artistic achievements of African-Americans. The Kelleys could not have
imagined initially that their budding art collection would become the fabric of
any museum’s dreams, that it would overflow their three-story Neo-Georgian home
and travel to major venues in the United States and abroad. Their younger
daughter and advisor from early on is a Spelman College-trained art historian
who serves as curator of the collection and will advance this remarkable legacy
to the next generation and beyond.
Dr. Regenia Perry, Ph.D., Professor Emerita of African and
African-American Art, Virginia Commonwealth University, art historian,
collector and curator, contributes an introduction to the exhibition and to the
Kelleys as collectors.
ABOUT THE CALIFORNIA AFRICAN AMERICAN MUSEUM
The California African American Museum (CAAM) researches,
collects, preserves and interprets for public enrichment the history, art and
culture of African Americans. Chartered by the California State Legislature in
1977, CAAM is a state supported institution and a partner with the 501(c)(3)
non- profit organization Friends, the Foundation of the California African
American Museum. In addition to its permanent collection of over 3,000 objects
of art, artifacts and historical documents, CAAM also houses a research library
containing more than 20,000 volumes, employs and trains high school students
through its Young Docents program, and hosts in-house curated exhibitions and
traveling exhibitions on a regular basis. The museum also tours CAAM
exhibitions throughout California and the nation.
No comments:
Post a Comment