UPDATE: Sam Gilliam will not attend this event as originally planned. Conversation will take place between Rashid Johnson and curator Laura Hoptman.
CONVERSATIONS: AMONG FRIENDS
FEATURING ARTIST RASHID JOHNSON
Moderated by Laura Hoptman,
Curator, Department of Painting and Sculpture, MoMA
Thursday, June 27, 2013
7:00 PM Program | 8:15 PM
Reception
Doors open at 6:30 PM
The Celeste Bartos Theater (Theater 3)
The Lewis B. and Dorothy Cullman Education and Research Building
4 West 54 Street
New York, NY
General Public Tickets ($35) can be purchased at The Museum Information
and Film Desks, online at MoMA.org, or
through The Friends Of Education office. All tickets will be held at the
door.
Presented by The Friends of Education of The
Museum of Modern Art, Conversations: Among Friends explores
works of art as reflections of their political and social contexts. The evening
features a conversation between artists Sam Gilliam and Rashid Johnson,
moderated by Laura Hoptman, a curator in MoMA’s Department of Painting and
Sculpture. The program will
explore Gilliam and Johnson’s
work—and how it is shaped by, responds to, and reflects the artistic,
historical, political, and social context of its making. Following
the program, guests are invited to continue the conversation and meet the
participants at an intimate reception catered by Fantasy Fare in the Cullman
Mezzanine.
Rashid Johnson was born in 1977 in
Chicago, IL, and studied at Columbia College Chicago and the School of the Art
Institute of Chicago. In 2001, Johnson's work was included in Freestyle,
an exhibition at the Studio Museum in Harlem curated by Thelma Golden. The show
featured 28 up-and-coming artists whose work Golden considered to be
“post-black,” a term defined by Golden as “characterized by artists who were
adamant about not being labeled as 'black' artists, though their work was
steeped, in fact deeply interested, in redefining complex notions of
blackness.” Johnson, who was 24 years old at the time and the youngest artist
in the exhibition, presented photographs from his Seeing in the Dark series of
portraits of homeless African American men in Chicago. The work drew critical
attention, and since then, his practice has become central to the “post-black”
movement. Johnson's mixed-media work incorporates a wide range of everyday
materials and objects, including wax, wood, steel, brass, shea butter, ceramic
tile, books, records, VHS tapes, live plants, and CB radios. With shamanistic
inspiration from both African American history and art history, many of
Johnson's more recent works employ these materials in a way that suggests an
indefinite form of mysticism and a role as devotional objects. Johnson's work
has been exhibited at the Museum of Contemporary Art in Chicago, the Art
Institute of Chicago, the Walker Art Center, and in ILLUMInations, the 54th
International Art Exhibition of the Venice Biennale, among others. In 2009, he
had a solo show at SculptureCenter in New York. In 2012 Johnson enjoyed his
first major solo museum exhibition at the Museum of Contemporary Art in
Chicago, had first solo show in the U.K. at the South London Gallery, and won
the David C. Driskell Prize. His current solo exhibitions include New
Growth at the Ballroom Marfa, TX; and his upcoming shows include Rashid Johnson: Message to Our Folks at the High Museum of Art,
Atlanta, GA, and the Kemper Art
Museum, St. Louis, MO. Johnson currently lives and works in New York, NY.
Laura Hoptman is a curator of contemporary art
in the Department of Painting and Sculpture at The Museum of Modern Art, where
she is currently organizing a career retrospective of the German sculptor Isa
Genzken, and an exhibition on contemporary painting. Since joining the Museum
she has organized Ecstatic Alphabets/Heaps of Language, a group exhibition of contemporary art dealing with
language; Artist’s Choice: Trisha
Donnelly; and, with Peter Eleey, a
mid-career survey of the work of the Los Angeles painter Henry Taylor at
MoMA/PS 1. Previously, Hoptman was senior curator at the New Museum where
she organized Unmonumental: The
Object in the 21st Century, The
Generational: Younger Than Jesus, and
monographic exhibitions on Tomma Abts, Elizabeth Peyton, Brion Gysin, and
George Condo. In 2004/2005 she was the director of the 54th Carnegie
International, and, as a drawings curator at MoMA from 1996 to 2002, she
curated the first U.S. museum exhibitions of Rirkrit Tiravanija, Maurizio
Cattelan, John Currin, and Luc Tuymans among others. In 1997, she was the
co-curator of Love Forever: Yayoi
Kusama, a show that reintroduced
Kusama to international audiences, and in 2002, organized Drawing Now: Eight Propositions, a landmark exhibition of contemporary figurative
drawing.
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