Showing posts with label Titus Kaphar. Show all posts
Showing posts with label Titus Kaphar. Show all posts

Monday, January 26, 2015

NEW YORK: Titus Kaphar


Asphalt and Chalk
January 15 – February 21, 2015

513 West 20th Street
New York, NY

From jackshainman.com:

Jack Shainman Gallery is pleased to present Titus Kaphar’s first solo exhibition at the gallery. The exhibition will be presented in two parts. A survey of new paintings, Drawing the Blinds, will be installed at the 513 West 20th Street location while an extension of The Jerome Project entitled Asphalt and Chalk will include drawings and paintings at the gallery’s 524 West 24th Street space.

The Jerome Project, a portion of which is also on view at the Studio Museum in Harlem, began in 2011. While researching his father’s prison records, Kaphar came across a startling number of men who shared his father’s full name. Intrigued by the pattern, Kaphar began a series of small portraits of these men based on their mug shots. He then dipped each painting into tar up to at least their mouths, obscuring parts of their faces and affording them the privacy they had lost when their mug shots became part of the public record. In Asphalt and Chalk, Kaphar continues The Jerome Project by drawing composite portraits of multiple Jeromes with chalk on asphalt paper. As he layers the contours and features of each face, one becomes disoriented as each individual begins to bleed into the next. Viewed as groups, both explorations of this series represent a community, specifically of African-American men who are statistically overrepresented in our nation’s prison population and the criminal justice system.

Kaphar received an MFA from the Yale School of Art and is the distinguished recipient of the Gwendolyn Knight and Jacob Lawrence Fellowship. He has been awarded a 2015 Creative Capital Grant for the Visual Arts. His work has been included in solo and group exhibitions at Savannah College of Art and Design, Savannah, GA; the Studio Museum in Harlem, New York, NY and the Seattle Art Museum, Seattle, WA. His work is included in the collections of the New Britain Museum of American Art, New Britain, CT; the Seattle Art Museum, Seattle, WA; and the Studio Museum in Harlem, New York, NY.

Kaphar’s ambitious installation, The Vesper Project, is on tour through 2016 to venues including the Lois and Richard Rosenthal Center for Contemporary Arts, Cincinnati, OH; the Katzen Arts Center at American University, Washington, DC; the Pennsylvania Academy of Fine Arts, Philadelphia, PA and the New Britain Museum of American Art, New Britain, CT, where it is currently on view.




NEW YORK: Titus Kaphar


Drawing the Blinds
January 15 – February 21, 2015

513 West 20th Street
New York, NY

From jackshainman.com:

Jack Shainman Gallery is pleased to present Titus Kaphar’s first solo exhibition at the gallery. The exhibition will be presented in two parts. A survey of new paintings, Drawing the Blinds, will be installed at the 513 West 20th Street location while an extension of The Jerome Project entitled Asphalt and Chalk will include drawings and paintings at the gallery’s 524 West 24th Street space.

Through the manipulation of seemingly classical and canonical imagery, Kaphar introduces us to an alternate history that runs concurrent to the dominant narrative. Truths emerge to reveal the fiction and revisionism inherent in history painting and the visual representation of a moment or memory. Kaphar cuts, slashes, erases, layers and peels back the surface of his paintings. Each method is specific to the subject and meant to ignite and recharge the image, often that of the underrepresented body.

In 1968/2014 and Another Fight For Remembrance: Study, Kaphar uses white washing as an erasure, obscuring or removing the subject entirely. As he describes, “Characters are sometimes entirely removed by the white paint, but often I feel the urge to re-expose a portion of that individual. This can occur through scraping the white paint back with pallet knives, towels, and turpentine. This back and forth allows me to view the whitewash figures in a mysterious space of presence and absence.”

Kaphar received an MFA from the Yale School of Art and is the distinguished recipient of the Gwendolyn Knight and Jacob Lawrence Fellowship. He has been awarded a 2015 Creative Capital Grant for the Visual Arts. His work has been included in solo and group exhibitions at Savannah College of Art and Design, Savannah, GA; the Studio Museum in Harlem, New York, NY and the Seattle Art Museum, Seattle, WA. His work is included in the collections of the New Britain Museum of American Art, New Britain, CT; the Seattle Art Museum, Seattle, WA; and the Studio Museum in Harlem, New York, NY.

Kaphar’s ambitious installation, The Vesper Project, is on tour through 2016 to venues including the Lois and Richard Rosenthal Center for Contemporary Arts, Cincinnati, OH; the Katzen Arts Center at American University, Washington, DC; the Pennsylvania Academy of Fine Arts, Philadelphia, PA and the New Britain Museum of American Art, New Britain, CT, where it is currently on view.





Friday, May 30, 2014

SIGNED: Titus Kaphar

Titus Kaphar photographed February 28, 2013 in New York City. BlackArtistNews photo. All rights reserved.

Major talent adds weight to hefty roster at Jack Shainman  

BlackArtistNews | May 30, 2014

BlackArtistNews has learned that Jack Shainman now represents Titus Kaphar. The artist may appear to be a rookie amongst the gallery’s elite register of established veterans El Anatsui, Kerry James Marshall and Carrie Mae Weems, but his protean talent has proven he's a heavy hitter well prepared to join their league.

From tituskaphar.com:

Titus Kaphar was born in 1976 in Kalamazoo, Michigan. He currently lives and works between New York and Connecticut, USA. His artworks interact with the history of art by appropriating its styles and mediums. Kaphar cuts, bends, sculpts and mixes the work of Classic and Renaissance painters, creating formal games and new tales between fiction and quotation.

From the essay “Intricate Illusion” by Bridget R. Cooks, PhD:

Kaphar works hard to present the appearance of the truth in painting as his first effect. His paintings offer something familiar to draw the viewer in and, at the same time, offer a deformation. Within a few moments of approaching one of his works, it is clear that something is not quite right. The viewers must labor to deduce what exactly is going on. The persistence of change in Kaphar’s work mimics the revelation of inherited narratives within personal and collective histories that explain how our present constructed as deceptively simple truths: the past, like the present, is complex, sloppy, and contradictory; our understanding of history as an easily consumable narrative is often an intricate illusion. The fact that histories have multiple points of view is a given for Kaphar, and his work offers these perspectives for the viewer both to experience and reveal.

Click here to read complete text for “Intricate Illusion” published on the occasion of the exhibition Titus Kaphar: Classical Disruption, February 17 – April 2, 2011, at Friedman Benda, New York.




Wednesday, June 19, 2013

NEW YORK: Titus Kaphar, Wardell Milan, and Demetrius Oliver

Demetrius Oliver, Sphera, 2012, C-print, 25 x 21 inches. Image via demetriusoliver.blogspot.com.
11 Dimensions
June 7 – July 26, 2013

143B Orchard Street
New York, NY

Louis B. James presents 11 Dimensions, a collaborative exhibition featuring works by Titus Kaphar, Wardell Milan, and Demetrius Oliver. The installation will mark the third time that the artists have juxtaposed their work beginning with their 2006 residency at the Studio Museum in Harlem.

In this age where quantum physics plays an increasingly prominent role and theoretical mathematicians posit seemingly incomprehensible proofs of alternate dimensions, the three artists use the simple tools of their respective trades to create images and objects that feel paradoxically justified by the logic of some unknown dimension. The eleven recent works by Kaphar, Milan, and Oliver seek to explore the complexity and pliability of time in ways that upend our understanding of history and speak to the implausible through the poetic use of diverse materials.

In Kaphar's work, historical paintings are overturned through the lexicon of modern painting gestures. Through cutting, crushing and stitching, Kaphar's work reconstructs narratives of the past in order to present alternate endings to familiar and unfamiliar historical events.

Time seems to collapse in Milan’s photo based collages, creating visually and thematically dense images that expose the fluidity between moments. Representations of the body are fragmented, displaced, and ornamented in ways that enact the drama of human frailty and mutability.

In Oliver’s prints and sculptures, the terrestrial becomes cosmic, forcing us to reckon with the inability to depict the infinite through finite means. Relying on the prosaic and quotidian, materials are transformed in unexpected ways to describe distant
phenomena.

Using photography, painting and sculpture, all three artists collectively imagine a complex world where time and space are malleable.

During their year-long residency at the Studio Museum, the artists developed a strong friendship as a result of an unexpected synergy between their artistic pursuits. After their residency, they relocated to a shared studio in Chelsea, where they continued their exchange, resulting in a 2007 exhibition entitled Blur at Arndt & Partner, Berlin. While they currently maintain separate studios in the New York metropolitan area, Kaphar, Milan, and Oliver continue to be creatively influenced, inspired and challenged by each other.






Monday, October 29, 2012

NEW YORK: Titus Kaphar

NOTE: THIS EXHIBIT HAS BEEN RESCHEDULED FOR VIEWING FEBRUARY 28, 2013 - APRIL 6, 2013. FOR MORE INFORMATION VISIT: WWW.THEVESPERPROJECT.COM

THE VESPER PROJECT
November 8 - December 1, 2012
Opening reception: November 1, 6-8pm

515 West 26th Street
New York, NY


Friedman Benda is pleased to announce Titus Kaphar’s 'The Vesper Project'. The exhibition is a massive sculptural statement - an encompassing installation, in which Kaphar’s own work is seamlessly woven into the walls of a 19th-century American house.



The culmination of an intense five-year engagement with the lost storylines of the Vesper family, the project was “birthed in a state of extended disbelief,” according to Kaphar. As the artist’s muses, the members of the Vesper family and their histories are intertwined with Kaphar’s autobiographical details, and layered with wide-based cultural triggers of identity and truth in the context of historical accounting.

In 'The Vesper Project', period architecture, gilt-frames, a vintage type-writer, a neglected wardrobe, old photographs act as seemingly recognizable elements but by employing every tool of his trade, Kaphar insinuates doubt and transports the viewer into a disrupted mental state. As the house fractures, so does the viewer’s experience. In so doing, Kaphar compresses times, conflates the continuum of history and postulates new powerful realities.

With many of Kaphar's interventions present in the installation including slashing, silhouetting, and whitewashing, this singular work is a complex map of overlapping timetables and collective genealogies. By obliterating the distance between the viewer and the work, 'The Vesper Project' is comprehensive, experiential, and it is the artist’s most ambitious expression to date.

Titus Kaphar graduated with a Master of Fine Arts degree from Yale University. In 2006, he served as the Artist in Residence at The Studio Museum, Harlem. In 2009, he received the inaugural Gwendolyn Knight and Jacob Lawrence Prize from the Seattle Museum of Art for his exhibition History in the Making. His work has been displayed recently in Berlin, Los Angeles, and Tel Aviv and is currently on view at the Savannah College of Design. This will be his second exhibition at Friedman Benda, after 2011’s 'Classical Disruption'.


For more information, please contact:
Jennifer Olshin, Director
jennifer@friedmanbenda.com
(212) 239-8700

Alice Higgins, Associate Director
alice@friedmanbenda.com
(212) 239-8700