Showing posts with label Nathaniel Donnett. Show all posts
Showing posts with label Nathaniel Donnett. Show all posts

Monday, July 14, 2014

ASPEN: Relevance

Nathaniel Donnett, How to Get Rich On A Shoestring Budget, 2010, Shoestrings and plastic on paper bags, 56 x 51 inches.
Image via nathanieldonnett.com. All rights reserved.


Perspectives of the African American Experience
June 27 – September 8, 2014

Featuring Derrick Adams, Nathaniel Donnett, Bradley McCallum & Jacqueline Tarry

Discussion with artist Derrick Adams: July 15, 2014, 6 – 8 pm

Discussion with artists Bradley McCallum & Jacqueline Tarry: August 7, 2014, 6 – 8 pm

Residences at The Little Nell Building
501 East Dean Street
Aspen, CO

From quintenzgallery.com:

This summer Quintenz Gallery presents Relevance, an exhibition of four artists’ interpretation of the ongoing and evolving narrative that is the African American and American experience. Artwork by Derrick Adams, Nathaniel Donnett, and Bradley McCallum & Jacqueline Tarry comprises new shifts in contemporary art practices and media while addressing complicated and multivalent issues of race, community, and power.

Any discussion of race in America—even one focusing on representation—is not just about images. It is about human bodies that are informed by notions of ethnicity rooted in a specific time and place. It is about the public and private interactions between these bodies and how they coexist. And, it is about how such realities impact the distribution of power within social areas we navigate daily, from the interpersonal to the geopolitical.

Derrick Adams destabilizes urban and identity politics through performance, collage, sculpture, and installation. In Relevance, Adams’ mixed-media collages rupture visual and symbolic lines between human figures and domestic architectural spaces. Bodies, structures, and landscapes emerge from cut scraps of popular lifestyle magazines in artwork reflecting today’s fragmented, over-inundated visual culture. Adams’ visually rich surfaces depict his own socio-cultural moment and investigation. “I draw from my own experiences and come up with my own philosophies and perspective on art making,” Adams says. An interdisciplinary artist based in Brooklyn, New York, Derrick Adams received a MFA from Columbia University and a BFA in Art & Design from Pratt Institute in Brooklyn.

Nathaniel Donnett explores the psychosocial relationships between the collective and individual, the perceptions of the self and society, while drawing from the inventiveness, psychology, improvisation and music in African American culture. Donnett works in mixed media, drawings, paintings, installation, sculpture, video, and performance using everyday materials, and objects. In this exhibition these particular drawings considers the figurative as other and psychosocial symbolism of brown paper bags and mixed media works with plastic. His artwork is an investigation of identity, perceptions of beauty, self-reflection, and societal contradiction and consent. Donnett, a 2010 Artadia winner, lives and works in Houston, Texas and studied at Texas Southern University.

Bradley McCallum and Jacqueline Tarry are a mixed-race artists’ collaborative since 1998. Their work, exhibited globally, moves fluidly beween large scale projects, painting, photography, video, and self-portraiture. McCallum & Tarry focus their work on community, race, identity, and injustice, creating art to preserve moments in time that might otherwise become nothing more than faded photographs. They reimagine historic and iconic photographic images, thereby reviving, continuing, and deepening narratives which may have become static. The artists live in Brooklyn, New York. McCallum holds an MFA from Yale and Tarry completed the Whitney ISP program in 2003.





Monday, March 3, 2014

ARTIST TALK: Nathaniel Donnett / Houston, TX / March 13, 2014


Thursday, March 13, 2014, 6:30PM

5216 Montrose Boulevard
Houston, TX

From the CAMH web site:

Join artist Nathaniel Donnett for a lecture held in conjunction with the exhibition Black in the Abstract, Part 2: Hard Edges/Soft Curves. Donnett will discuss his artwork by presenting insights to his process, conceptual influences, and the personal narratives that inform his practice. Following the lecture the audience will have a chance to participate in a brief Q&A with the artist. 

 

 

ABOUT THE ARTIST

Nathaniel Donnett lives and works in Houston, Texas. He is a recipient of the 2011 Houston Arts Alliance Established Individual Art Grant, The 2011 Idea Art Fund Grant, 2010 Artadia Award, and was a 2009 Tiffany Louis Comfort Grant nominee. Donnett has exhibited at Lawndale Art Center, Project Row Houses, Texas Southern University Museum, The New Museum, The National Museum in Lima, Peru and The Modern Museum of Peru. He has also participated in a musical performance choreographed by Donald Byrd titled Bhandra Fever at the Wortham Theater in Houston. Most Recently, he was awarded artist in residence and solo exhibition at Redline Milwaukee in Wisconsin in 2013. His work is available at Kavi Gupta gallery in Chicago, IL and Morton Fine Art in Washington, D.C.

Nathaniel Donnett, Absence, 2013. Plastic bags mounted on canvas. Courtesy the artist. Photo: Paul Hester. Image via camh.org.


Learn more about the artist on his website here.




Saturday, April 27, 2013

MILWAUKEE: Nathaniel Donnett

Nathaniel Donnett, No White Tees, 2013. Image courtesy of the artist.

You Are The One
April 19 – June 29, 2013

1422 North 4th Street
Milwaukee, WI

Nathaniel Donnett says, “You Are The One is a multi-media exhibition that consists of drawings, sculpture, video, collage paintings, installation and community participation which delves into my social and psychological concerns about society. I use the clothing store as a departure point and motif, transforming some of its recognizable items and familiar structures into art pieces that raise questions about identity, consumption, perception, human interaction and society.

In societal information transactions, particularly in the media, a “type” usually pops up on television. One that I usually see is the one black person in television, unless it’s an all-black show. There may be a small group of blacks within a larger group but that symbolism still exists. This experience happens in art functions as well.  This brought a bigger question about not only my identity type but what about other “types” that encounter being the only one in a particular setting, background or ideology? Who is the one individually and is there a one created collectively? Are you the one who has set the situation, environment, position up or the one who is affected as a result of a situation, environment or position or both? These are some of the questions I’m interested in. I don’t know all of the answers but find it interesting to look at some of the questions and pose them to the viewer.

Another component that I am interested in is the community and participation. Some people donated clothing, the youth groups collaborated the artist to create work that revolved around the show and is exhibited within the show. A video collage of an interview of three generations was created about identity, alienation, otherness, history and the current state of our society. I find that the respectable exchange is an interesting way to learn about other people’s positions in life, differences and things we have in common. I took this approach, as visitor to be a part of this community as much as time and space would allow.”

With generous support from the NEA, the Milwaukee Arts Board, and the Wisconsin Arts Board (with funds from the State of Wisconsin), RedLine welcomed Houston-based Nathaniel Donnett onsite for a 30-day visiting artist residency which began March 30.  While at RedLine, Nathaniel produced a body of work for his exhibition, working with RedLine resident artists and teens, and interacting with the community and Milwaukee school programs.



Thursday, November 15, 2012

HOUSTON: STACKS (Curated by Robert Pruitt)

NOTE: ARTIST RESIDENCY SCHEDULE FOR THIS EXHIBIT UPDATED 11/27/12.

Featuring Jamal Cyrus, Nathaniel Donnett, Autumn Knight, Phillip Pyle, and M'kina Tapscott with special online component by writer Garry Reece

November 16, 2012 - January 4, 2013
Opening reception: Friday, November 16, 2012

1953 Montrose Boulevard
Houston, TX

Art League Houston (ALH) is pleased to present STACKS, a group exhibition curated by Robert Pruitt. 5 week-long laboratory residencies will occupy the Main Gallery as a site of transformation addressing themes of Black imagination, creativity, and commodification. The exhibition features a series of performances and installations by five emerging artists: Jamal Cyrus, Nathaniel Donnett, Autumn Knight, Phillip Pyle, and M’kina Tapscott. Writer Garry Reece provides an online narrative component tracking and examining each artist’s project, offering his thoughts on possible meanings of the work. 


STACKS looks at the relationship between cultural tropes and the notion of an authentic black experience. As a cathartic act, these five artists will use the exhibition’s opening to publicly deconstruct, destroy, and de-power materials that impede the construction and reception of Black imaginative power.


How do we make art that embraces tradition while avoiding the trap of cultural tropes? This critical question has circulated amongst the artists in STACKS in preparation for this exhibit. For the duration of the exhibition the artists will explore possible resolutions to this problem by using the gallery space as a laboratory to develop and create installations from the remains of the opening night. As the exhibition proceeds, the artists will re-contextualize and revamp the ideas and products of the previous artists week to create a multi dimensional view of black creativity.



Residency Schedule:


November 16, 6 - 9 PM
Exhibition opening



WEEK 1

Phillip Pyle II: November 19 - 30

Reception November 23


WEEK 2
Nathaniel Donnett: December 3 - 9
Reception December 7 

WEEK 3
M'kina Tapscott: December 10 - 16
Reception December 14

WEEK 4
Jamal Cyrus: December 17 -23
Reception December 21

WEEK 5
Autumn Knight: December 24- 30
Reception December 28

ALL SCHEDULED RECEPTION TIMES ARE 6PM TO 9PM.

YouTube: STACKS Trailer 








Thursday, October 13, 2011

CHICAGO: Nathaniel Donnett / Holla If You Hear Me; The Vibrational Theory / Kavi Gupta Gallery / September 9 - November 12, 2011

Nathaniel Donnett, An Alloy Sublime Memorial, 2011, 9 etched cymbals, 48" x 48".
Nathaniel Donnett, Fertile Ground, 2011, Steel, paint, rubber, black sand, resin, fabric, 64" x  110" x  70".

NATHANIEL DONNETT 
HOLLA IF YOU HEAR ME; THE VIBRATIONAL THEORY
September 9 - November 12, 2011
835 West Washington Blvd
Chicago, IL

Kavi Gupta Gallery in Chicago is proud to present Holla If You Hear Me; The Vibrational Theory, the first gallery exhibition of Houston-based artist Nathaniel Donnett. Exploring how music and technology has historically been used as a tool of empowerment, Donnett's installation begs the question of what is the relationship between the accumulation and distribution of power and the creation of individual and group identity. Drawing from his own observations as well as the recorded experiences of historical figures like Emmett Till, Donnett's work underlines how silence corresponds to oppression and how the platitude of 'having a voice' may be the only real political action. 

Nathaniel Donnett lives and works in Houston, Texas. He attended Texas Southern University in Houston. Recent exhibitions include Paper or Plastic?, Jenkins Johnson Gallery, New York; College of Mainland, Mainland Gallery, Texas; Messin' with Texas, Hyde Park Art Center, Chicago and Black Plastic and tha Paper Bag Kids in the Soulecistic Playground, Deborah Colton Gallery, Houston. Donnett received the Artadia Grant in 2010.


Click here to view works in Holla If You Hear Me; The Vibrational Theory