Showing posts with label Artist Residency. Show all posts
Showing posts with label Artist Residency. Show all posts

Tuesday, July 15, 2014

CHICAGO: Testimony


July 9 – August 30, 2014

Featuring David Boykin, Krista Franklin, and Andres L. Hernandez

ARTISTS IN CONVERSATION:

Sunday, July 20, Logan Center Gallery, 12-1:30pm
Public Discussion with Andres L. Hernandez as part of the on-going series 
Absence is Fullness: A (E)utopian Assembly

Thursday, July 23, Logan Center Gallery, 6-7:30pm
Krista Franklin in conversation with Alexander G. Weheliye

Wednesday, August 27, Logan Center Gallery, 6-7:30pm
David Boykin in conversation with Nicole Mitchell

915 East 60th Street
Chicago, IL

From arts.uchicago.edu:

The University of Chicago’s Arts + Public Life initiative, the Center for the Study of Race, Politics, and Culture, and Logan Center Exhibitions present Testimony, an exhibition featuring the 2013/2014 Arts + Public Life/Center for the Study of Race, Politics, and Culture artists-in-residence. Coming from diverse disciplines and approaches but finding common ground in their interest in oral culture (both musical and discursive) David Boykin, Krista Franklin, and Andres L. Hernandez set out to develop ambitious new works that move beyond the act of witnessing towards laying truth claims and also grounding fantasies. 

Testimony – which spans the Logan Center Gallery, the North entrance to the Logan Center, the building’s courtyard and Gidwitz Lobby – makes space for critical reflection and ritual. 

David Boykin’s initiative Sonic Healing Ministries “believes in the power of sound/vibration to transform physical matter.  Thought is a finer vibration that has the potential to shape the physical world, as our thoughts eventually manifest in the physical world.” His project for the exhibition, Drone of Testimony: A Vigil Against US Drone Attacks (2014), produced in collaboration with the sound engineer Angel Elmore and the researcher Kasandra Skistad is a vigil against US military drone attacks.  As the artist writes: “The sonic drone that is created out of the testimony of US military drone attack survivors is a vigil against future attacks.  Some people light a candle, we make a sound.  Let there be a fire always burning, a song always sung, a sound always resonating until this madness stops.  Let there be a Drone of Testimony till there are no more drone attacks.”  

Krista Franklin’s ongoing interest in AfroFuturism and AfroSurrealism, has consistently manifested itself through her poetry and collage and she has used the occasion of her residency to extend these methods to the creation of environments, where the energies of multiple authors from the past, present and future combine. “Hybridization is at the core of what I do,” she notes (in an interview with Tempestt Hazel). Developed especially for the exhibition at the Logan Center, her collaborative work, Fantastic (2014), is loosely inspired by the legacy of Detroit's late and legendary producer and hip-hop artist J Dilla. Working with graffiti artists Kane One and Stef Skills, Franklin sets out to produce an environment that furthers an evolving imaginary.

Andres L. Hernandez’s project Benign Neglect (2014) takes its title from a policy term coined in 1969 by Daniel Patrick Moynihan, President Richard Nixon’s urban advisor, purportedly as a means of ‘easing tensions’ following the Civil Rights Struggle, but widely understood as the institutionalization of a slow and deliberate abandonment of predominantly African American neighborhoods to poverty and arson.  Hernandez’s project reimagines the resulting vacant lots of Chicago’s Washington Park, using aerial images, not as pure documents but as ‘plans’ for a Zen Garden. Made from the debris collected on the lots in an ongoing practice of walking as research, Hernandez’s ‘garden’ will be constructed in the courtyard of the Logan Center and tended as a rite, a rhythm, and a prompt for dialogue about a wealth of social and spatial possibilities.

More about the artists and their projects during the 2013/2014 Arts + Public Life and Center for the Study of Race, Politics, and Culture Residency:

David Boykin is one of the most original and dynamic artists in the Chicago music scene. He is a composer, bandleader, and multi-reed instrumentalist performing on the tenor and soprano saxophones, the soprano and bass clarinets, and the drum set. He has received many grants and awards for his talents as a composer. He is the leader of the David Boykin Expanse, founder of Sonic Healing Ministries, and an occasional collaborator with a few other artists. Boykin began studying music on the clarinet at the age of 21 in 1991 and first performed professionally in 1997. Since 1997 he has released 10 album-length recordings as a leader, contributed as a featured soloist to other musicians’ recordings, and performed at major international jazz festivals and smaller jazz venues locally and abroad. As part of his residency, Boykin’s Sonic Healing Ministries has been holding Free Jazz Jam Sessions, each Sunday at 2-5pm in his studio at the Arts Incubator in Washington Park. 

For details visit sonichealingministries.com

Krista Franklin is a poet, visual artist, and performer who lives and works in Chicago. Much of Franklin’s creative output concerns itself with the intersection of the literary and the visual, and often explores the conceptual concerns of Afrofuturism and Afro-Surrealism. Her collages have been featured as the cover art of award-winning poetry collections and exhibited nationally. Franklin is the recipient of Chicago’s Community Arts Assistance Program Grant, the Albert P. Weisman Award, and Columbia College Chicago’s Aiko Fellowship, and she has held residencies at Cave Canem and A Studio in the Woods. A co-founder of 2nd Sun Salon, a community meeting space for writers, visual and performance artists, musicians, and scholars, Franklin holds an MFA in Interdisciplinary Arts. As part of the residency at the Arts Incubator, Franklin created the exhibition Library of Love (February 12-March 31, 2014), working in collaboration with Stephen Flemister, Norman Teague, and Raub Welch.

For details visit kristafranklin.com

Andres L. Hernandez is an artist-designer-educator who works to re-imagine the physical, social, and cultural environments we inhabit. Over the last 16 years, he has worked within a variety of institutions to develop innovative art and design curricula; to assist with research, installation, and educational activities for museum exhibitions; and to organize collaborative, community-based art projects throughout the city of Chicago. Hernandez received his Bachelor of Architecture degree from Cornell University and a Master of Arts in Art Education degree from the School of the Art Institute of Chicago, where he has been an Assistant Professor in the Department of Art Education since 2006. He is also a Lead Artist with the Teens Re-Imagining Art, Community & Environment (TRACE) program of the Chicago Park District, and is co-founder of Revival Arts Collective. His discussion forum, Absence is Fullness: A (E)utopian Assembly, presented in the Second Floor Flex Space of the Arts Incubator, continues through August 17, 2014. 

For details visit whimplaceknow.com


Sunday, May 4, 2014

ANDOVER: Chris Daze Ellis

Chris Daze Ellis, Life in the Fast Lane, 2012, oil, acrylic, spray paint on canvas, 66 x 82 in., purchased as the gift of The Addison Contemporaries, John Axelrod (PA 1964) in honor of Chris Daze Ellis, the Addison’s spring 2014 Edward E. Elson Artist-in-Residence, and museum purchase. Image via andover.edu.
Street Talk: Chris Daze Ellis in Dialogue with the Collection
May 3 – July 31, 2014

Phillips Academy
Corner of Route 28 (Main Street) and Chapel Avenue
Andover, MA

From andover.edu:

A member of the “second generation” of New York graffiti artists, Chris Ellis—best known by his street name, Daze—has been hailed as one of the most important ‘writers’ of his time. Daze began his career in graffiti as a teenager, tagging subway cars alongside Crash, Seen, Lady Pink, and Futura. Turning his focus from trains to canvas in the early 1980s, Daze has been one of the most successful graffiti artists of his generation to transition from street to studio. Using spray paint in combination with the more traditional media of oil and acrylic to capture the energy and essence of the urban scene, Daze’s large-scale paintings are a provocative blend of spontaneity and control, abstraction and representation. This exhibition presents recent works in juxtaposition with a group of paintings, prints, and photographs chosen by the artist from the Addison’s permanent collection. Revealing intriguing and unexpected resonances in artistic approach, theme, and subject matter, this conversation not only sets Daze’s work within the context of American art history, but also provides new insight into some of the museum’s familiar favorites.

Chris Daze Ellis is the Edward E. Elson Artist-in-Residence for spring 2014. Participating artists have included Alison Saar, Kerry James Marshall, Dawoud Bey and Fred Wilson.

Read more about Daze's Life in the Fast Lane, recently acquired by the Addison.









Friday, March 21, 2014

ARTIST TALK: Paul Mpagi Sepuya / Chicago, IL / March 26, 2014

Paul Mpagi Sepuya, Studio, January 27, 2014, Laser print on paper, 8.5 x 11 inches. Image via paulsepuya.com.
Wednesday, March 26, 2014 at 6pm

5020 South Cornell Avenue
Chicago, IL

Please join the Hyde Park Art Center on Wednesday, March 26 at 6pm at Hyde Park Art Center for a presentation by 2014 Jackman Goldwasser Residency Artist, Paul Mpagi Sepuya as he discusses his practice and recent work.

Sepuya explores what it means for artists using photography to be making portraiture today. With the ubiquity of image-making, he challenges the diminished position of the portrait photographer, asserting the importance of the artist and image as rooted in time and place.

Occupying the dual role of author and subject of the work, Sepuya examines the social "bibliography" of a picture, which develops and accumulates over time, across projects, in harmony and in tension with subjects and their communities. Through the work Sepuya explores the possibility of return, inquiring how photographs, print projects, and online disseminations return from their excursions into the world enriching and complicating the studio space as site of their origination.

The New York-based artist will be in residence at Hyde Park Art Center until April 15. While in Chicago, Sepuya will be tracing legacies of individuals and institutions crucial to the development of Chicago's queer culture. Echoing his practice, Sepuya's studio at Hyde Park Art Center will be an important site for his experiments framing, cropping, and editing photographs.

To set up a studio visit or meeting, please contact Megha Ralapati at mralapati@hydeparkart.org

For more information on Sepuya's Chicago visit, the Jackman Goldwasser Residency and to see a lineup of the Hyde Park Art Center’s 2014 Visiting Artists, please click here.