Brenna Youngblood, The Benevolent and The Malevolent, 2014. Mixed media on canvas, 72 x 60 in. Image via pomona.edu. Courtesy the artist and Honor Fraser Gallery, Los Angeles |
January 20 - May 17, 2015
330 North
College Avenue
Claremont,
CA
Brenna Youngblood
creates evocative and moody abstract paintings and sculptures that subtly
examine representation and the multiplicity of meaning. By combining materials
such as canvas, found papers, panel, faux wood, and acrylic paint with
fragmented photographs of solitary everyday objects, she creates layered,
expressionist, heavily-worked surfaces with both an elegiac and abject quality
in their delicately worn roughness. She frequently utilizes a singular image or
object—chain link fencing, a solitary chair or light bulb, a star or pine tree
air freshener—to symbolize the ordinariness of a lonely or overlooked humanity.
Other times, the repetition of forms—fence, chairs, lights, trees—haunts in
reverberations of earlier lives that approach abstracted memories of emotional
reality. For the exhibition “Project Series 50,” the artist will present a new
suite of paintings that explore gestural abstraction, color field painting, and
collage, and that pose questions about memory, identity, and class.
Brenna
Youngblood was born in Riverside, California, in 1979. She received her BFA
from California State University, Long Beach, in 2002, and her MFA from the
University of California, Los Angeles, in 2006. She recently had a solo
exhibition at the Contemporary Art Museum St. Louis, and her work has been
included in many major museum exhibitions, such as “Black in the Abstract, Part
2: Hard Edges/Soft Curves,” at the Contemporary Arts Museum, Houston, Texas,
“Fore,” at the Studio Museum in New York (2012), and “Made in L.A.,” the Los
Angeles Biennial at the UCLA Hammer Museum (2012). She is represented by Honor
Fraser Gallery in Los Angeles, Jack Tilton Gallery in New York, and Galerie
Nathalie Obadia in Paris and Brussels.
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