Robert Hale, Rouge, Blanc, et Bleu. C-print, 36" x 60", 2014. Image via Reginald Ingraham Gallery Facebook page. |
Water
Works: Reflections of an American in Provence
OCTOBER 25 - NOVEMBER 15, 2014
Artists Reception: Saturday, October 25, 2014, 6:00pm
- 9:00pm
Artist Talk with curator: Saturday, November 8, 2014, 4:30pm - 6:00pm
Artist Talk with curator: Saturday, November 8, 2014, 4:30pm - 6:00pm
6021 W
Washington Blvd
Culver
City CA, 90232
Curator
jill moniz brings the photo based work of Robert Hale to the Reginald Ingraham
Gallery. Water Works represents a
multilayered photographic project that began when Hale used abstraction as a
tool to communicate his growing awareness and agency as a photographer living
in France. He situated his own experiences in the chaotic, but soothing
patterns formed from spontaneous watery reflections of real things he saw in
his daily activities in Aix-en-Provence, his new home. These works conveyed the
heuristic shifts of his life and his aesthetic: from American to ex-pat, from
commercial photographer to artist.
As Hale's
affinity for water abstractions grew, so too did his audacity to explore and
contract his compositions. With a focus on form and color, he evolved from
capturing vaguely representational imagery to the dynamic kineticism of water:
a constellation of metallic glow, curving line, and organic shapes. Hale
brilliantly chronicles these essential phenomena without any graphic
enhancement, as a testament to the fluidity and aestheticism of an altered but
authentic reality.
moniz was
drawn to these works that reflect Hale's unique position vis-à-vis contemporary
African American photographers, most of whom are dedicated to representation,
providing a counterbalance to the historic narrative of black identity told
over more than a century of work in the medium. Hale's freedom from
representation and his unconventional documentary paradigm are born from his
position as a Virginian living in France (albeit one who served in Vietnam,
lived in Sweden, New York City and Los Angeles), navigating through space and
place loaded with a different set of historical and sociological reference
points. As a black American photographer, he is a man apart, offering another
abstraction to his vision that feels increasingly autobiographical.
In this
altered reality, Hale swims in deep emotion, cultivating an astute, yet
whimsical theoretical practice. These works envelop the viewer in a meaningful,
meditative alchemy, a fusion of material and expressive elements in a distilled
landscape.
This is
the first exhibition of Robert Hale's Water
Works series in the United States.
No comments:
Post a Comment