Faux Primitif
February 22 – April 12,
2014
Opening reception:
Saturday, February 22, 2014, 4:00 – 7:00PM
419A Convent Avenue
New York, NY
George Mingo’s faux primitif compositions at first glance
appear as plain, naive expression, found in children's drawings. His art is
characterized by simplicity in its subject matter and a technique appearing to
have little or no formal art training. Upon a second analysis, one can discover
a treatment which takes a large amount of maturity in thinking. There is a deep
understanding of dealing with colors. He paints in a personal method of
structured and decorative shapes. Mingo's simple figures of suspended quilts of
color are orchestrated into fantastic and childlike, yet meditative works.
George Mingo was a child art-prodigy whose third grade
teachers paid him to make their Christmas cards. George didn't take art
seriously until late high school when he saw a picture of Salvador Dali wearing
a top hat and cape and carrying a gold-knobbed cane. With dreams of limousines
and good-looking women, he went off to Cooper Union and discovered he was black
a few years before multiculturalism.
In the 70s Mingo lived at 27 Cooper Square which was the
home of many of this country's well-known artists, among them writers,
musicians and painters, including Amiri Baraka (LeRoi Jones), Archie Shepp,
Elizabeth Murray, Sirone, David Hammons, Hettie Jones, and others. In 1979
George became an Artist in Residence at The Studio Museum in Harlem and
exhibited there with Noah Jemison, Aj Smith, and Ronald Harding. Other notable
exhibitions include a group show at the Onyx Gallery in 1986 with Terry Adkins,
Ed Clark, Bill Hutson, Al Loving, Joe Overstreet, and Jack Whitten. Then in
1989 Cooper Union held a retrospective exhibition of art by Black and Hispanic
alumni including George together with Michael Brathwaite, Leonardo Drew, Marina
Gutierrez, Don Miller, Bob Rivera, Juan Sanchez, Milton Sherrill, Frank
Stewart, Jack Whitten, Gilberto Wilson and Dmitri Wright. One of his last
exhibitions was in 1994 with Josef Zutelgte and Stanley Whitney at the Jack
Tilton Gallery.
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