Oscar Murillo’s mother, Virgelina Murillo (center), working at Colombina in La Paila, Colombia, 1988. Collection of the artist. Image via davidzwirner.com. |
April 24 – June 14, 2014
Opening reception: Thursday, April 24, 2014,
6:00pm – 8:00pm
519 West
19th Street
New York,
NY
From David
Zwirner press release:
David
Zwirner is pleased to present its first exhibition with Oscar Murillo, who joined
the gallery in September 2013. The artist will implement a candy-making factory
at 519 West 19th Street in New York in collaboration with Colombina, one of the
premier food companies in Colombia.
Now a
global industry leader and one of the main exporters of candy to the United
States, Colombina was founded in Murillo’s hometown of La Paila in the early
twentieth century. It gradually became the connecting link in the surrounding
area, fostering a community that expanded symbiotically as the factory grew in
stature. Several generations of Murillo’s family, including his parents, have
worked there in various capacities, and the artist, who was born in 1986 and
moved to the United Kingdom in the 1990s, retains close ties to the site.
Murillo
frequently invokes his cultural heritage in his practice and broader issues of
migration, sub-localities, and displacement inform many of his works. By
turning the gallery into a fully operational production site, he opens up for
considerations
not merely
about trade and globalization, but also about individual relationships and communities,
roots and immigration. As such, the Colombina factory becomes a catalyst for a
consideration of socio-economic conditions in the United States,
Colombia,
and beyond, while also inviting visitors to reflect on the nature of societies,
both personal and universal.
Staffed by
experienced candy-making employees going about their daily work as usual, the
production line at the gallery will manufacture one of Colombina’s signature
candies, the Chocmelos®, following the same recipe, ingredients, techniques,
and quality control procedures as the facility in La Paila. Workplace signage
and overall layout are further inspired by the factory, and Murillo has
designed special packaging for the exhibition featuring the Colombina logo next
to the iconic yellow smiley face seen on plastic shopping bags throughout New
York City. Over the course of the exhibition, tens of thousands of candies will
be produced and given away for free at the gallery. A special website, mercantilenovel.com, and
complementary platforms on social media (Instagram, Facebook, and Twitter) have been set up by the
artist and gallery to track the project, shaping new communities in the
process.
Oscar
Murillo earned his B.F.A. in 2007 from the University of Westminster, London,
followed by his M.F.A. in 2012 from the Royal College of Art, London.
Murillo
has shown in both solo and group exhibitions at prominent venues worldwide,
including new works on view in 2014 in Los Angeles that marked The Mistake Room’s
inaugural presentation. In 2013, the South London Gallery organized the artist’s
first major solo exhibition in the United Kingdom. In 2012, he created new
paintings on site during a five-week summer residency at the Rubell Family
Collection in Miami, which were shown later that year marking his first solo
exhibition in the United States. Other recent venues that have exhibited his
works and projects include the MAMA Showroom, Rotterdam (2013) and the
Serpentine Gallery, London (2012).
In 2014,
work by the artist is included in international group exhibitions, including
the 1st International Biennial
of Contemporary Art of Cartagena de Indias, Cartagena, Colombia; RE: Painted | ‘Painting’ from the collection,
Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Futbol: The Beautiful Game, Los Angeles County Museum of Art; and Don’t You Know Who I Am? Art after Identity
Politics, Museum van Hedendaagse Kunst Antwerpen, Antwerp.
For his
ongoing project Frequencies, created
in collaboration with members of his family and political scientist Clara
Dublanc, Murillo will visit schools across the globe where canvases temporarily
affixed to classroom desks will register young students’ creative and critical
thought processes. The project aims to offer cross-cultural and social insights
into youth communities around the world.
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