Accumulated
Affects of Migration
835 West
Washington Boulevard
Chicago,
IL
Kavi Gupta
CHICAGO | BERLIN is pleased to announce an exhibition by Theaster Gates
entitled Accumulated Affects of Migration.
This exhibition marks an expansion on Gate's Documenta 13 project in 2012, 12 Ballads for the Huguenot House, in
which raw material from a house at 6901 S. Dorchester in Chicago's Grand
Crossing neighborhood was shipped to Kassel, Germany, and used to mend and
partially repair a historic building known as the Huguenot House. The project
resulted in a poetic exchange of community, music and architectural
transformation. During its restoration the Huguenot House was home to
carpenters and students, a core of whom originated from the artist's native
Chicago and traveled with the artist to Germany. As Gates and his team merged
one historical building with the other, they formed both functional objects and
aesthetic compositions with the materials that emerged from the repair. The
resulting objects play tribute to the marriage of the two original structures
they derived from as well as serve as ephemeral documentations of the
performances and interventions that activated the Huguenot House while Gates
and his team inhabited the building.
Accumulated Affects of Migration shares its title with
the series of performances Theaster Gates presented with his exhibition 13th Ballad, currently on view at the
Museum of Contemporary Art Chicago, an exhibition which jointly acts as an
extension of the Documenta 13 project. Performance and song were at the core of
12 Ballads for the Huguenot House.
During demolition of 6901 S. Dorchester, Gates, and his collaborative
performance group The Black Monks of Mississippi, recorded a series of twelve
songs in the south side Chicago building. These songs would become the 12 Ballads and were screened throughout
the Huguenot House during the run of the project. The 12 Ballads were accompanied in Kassel with a series of live
performances by Theaster Gates and the Black Monks of Mississippi, a component
to the project that created a community out of the students, carpenters and
locals whom gathered at the Huguenot House. A major focus of Accumulated Affects of Migration lies on
the objects which were part of these performances, such as the stage the
performers used as well as Fire Access
Stairs (2012), a row of stairs that served as sitting bleachers for viewers
to projections of the 12 Ballads. As
the original material from 6901 S. Dorchester was shipped abroad, repurposed,
merged with the Huguenot House, engaged and activated, then shipped back to
Chicago, it has transformed in relation to the many contexts it has been placed
within, drawing focus on the affects history plays on material as well how this
material influences its surrounding.
I love chicago! it's an amazing city, and it looks like you had an amazing time! :)
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