James Little, Zulu Boogie-Woogie, 2012, Oil and wax on canvas, 72.50 x 95.50 inches. On view May 16, 2013 thru June 18, 2013 at the June Kelly Gallery, NYC. |
Never Say Never
May 16 – June 21, 2013
166 Mercer
Street
New York,
NY
An
exhibition of recent work by James Little --- including large horizontal
abstract canvases with brilliantly colored vertical geometric shapes for which
the artist is best known that are interspersed with smaller works in a similar
style but a quieter palette -- will open at the June Kelly Gallery on May
16. The exhibition, entitled Never Say Never, will remain on view
through June 21.
Little
mixes his own colors with pure pigment and heated beeswax and puts multiple
layers of each color on his canvases.
This technique gives his paintings uncanny depth, intensity and
resonance.
“Color is
the crucial element in Little’s work,” writes Karen Wilkin, the art historian
and critic in an essay in the exhibition invitation. “Over the years, just as the divisions within
his paintings have varied from sharply pointed narrow triangles to parallel
bands, his palette has shifted from saturated colors to paler, luminous hues
with the cool matte quality of Renaissance frescoes.
“In recent
works, the colored bands talk to each other across the expanse of the picture
in ways that suggest illusions of pleating and expanding, before subsiding into
the flat continuum. Repetitions of
groupings of bars, their clear chroma set off by neutrals, create internal
syncopations.”
“We are
confronted,” Wilkin says, “by almost imperceptible chromatic shifts across the
picture that provide vitality and animation.”
According
to Wilkin, Little has two main concerns with color, in his words, “How to make
it flat and how to make it interesting. Color has to have some humanity in it.”
Little
lives and works in New York City. He holds a BFA degree from the Memphis
Academy of Art and an MFA degree from Syracuse University.
Little has
participated in numerous one-person and group exhibitions throughout the United
States and Europe. His paintings are
represented in museum, corporate and private collections, including Everson
Museum of Art, Syracuse; New Jersey State Museum, Trenton; Studio Museum in Harlem,
New York City; Tennessee State Museum, Nashville; Arkansas Arts Center, Little
Rock; Library of Congress, Washington, DC, and Maatschappij Arti Et Amicitiae,
Amsterdam, Holland.
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