Whitfield Lovell, Autour du Monde, 2008, Conté crayon on wood panels with globes, 102 x 189 x 171 inches. Image via huntermuseum.org. |
Whitfield Lovell: Deep River
May 18 –
October 13, 2013
10 Bluff View
Chattanooga, TN
Whitfield Lovell, a 2007 MacArthur Fellowship winner, is
internationally renowned for his thought-provoking images of anonymous African
Americans from the 19th and 20th centuries. Using old black and white
photographs taken in the early and mid-twentieth century, and more recently,
imagery from contemporary sources, the Bronx born and raised artist pays
tribute to his ancestors by spiriting them into the present.
Lovell's artwork is filtered through his personal history and
memories. His father is a self-taught amateur photographer who constantly took
candid and posed shots of his family and friends; these family photos, combined
with Lovell's extensive travels throughout Europe, the Americas and parts of
Africa have inspired much of his work.
The Hunter Museum exhibition features artwork created since
2008, including the artist's signature tableaux that are constructed of
intricate charcoal drawings on vintage wood juxtaposed with found objects.
Lovell prefers to leave the history of his salvaged wood intact, never removing
the layers of age paint, adding only his Conté crayon drawings and the objects
he has collected over the years. He fully engages our senses and emotions,
especially in pieces such as Pago Pago and Autour du
Monde. Both works feature uniformed soldiers, referencing the service of
African Americans through two world wars for a country that still didn't
acknowledge their civil or human rights and a military that was not fully
integrated. Billie Holiday's rendition of the song, I Cover the Waterfront,
emanates from Pago Pago, seductively lulling the viewer into a
sense of longing. Numerous globes are placed in front of Autour du Monde invoking
both the adventure of travel and dangers of fighting abroad for soldiers.
Also included in the exhibition are a number of mixed media
drawings from Lovell's ongoing Kin series. Each of the Kin works
features a portrait along with a single object.
The highlight of this important exhibition is Deep River,
the large site-specific installation that Lovell has created especially
specifically for the Hunter. Lovell's multi-media space explores the legacy of
African Americans who fled from slavery in pursuit of freedom during the Civil
War.
Whitfield Lovell: Deep River is organized by the
Hunter Museum of American Art.
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